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The Who Info Blog:
Pete Townshend - "Behind Blue Eyes" Demos Redux In 1983, Pete released his Scoop album, which included the first official release of his Behind Blue Eyes demo which so many of us fondly recall from The Genius Of Pete Townshend LPs. Fast forward to 2000, Pete kindly gave us (2) two more demo versions as free
downloads on his website. While I really liked these alternate versions, I never
quite liked the sound (which was a bit compressed and loud). So this morning,
I took the time to re-engineer them. After remixing and remastering them, I
still felt something was off, so I slowed the pitch down by 6%. I think I got
them right. I also removed some
below the
surface noise. My guess is that Pete had these on stored on acetates, which
might also explain the speed variation. Behind Blue Eyes (Demo 2) Behind Blue Eyes (Demo 2 - Remix/Remaster)
June 8, 2025 Roger Daltrey - "Under A Raging Moon" - Remixed & Remastered In 1985 Roger had promised his fans a more Who-like solo album with Under A Raging Moon. In some ways, Roger achieved this, releasing a hard rock album (vs. albums that he didn't want to compete with The Who). The album even opened with Pete Townshend written, "After The Fire", which was intended to be performed at Live Aid, but not ready in time (The Who finally played it on stage a handful of times in 1999 - see sound samples below). The album's finale, "Under A Raging Moon" (the title track) was a tribute to Keith Moon and featured a (7) seven drummer drum solo. In 1995, I worked with John Entwistle to develop his band's set list, and I included this song. John loved the idea and made the song his own. (I didn't get as far in 1989, when I suggested to Pete they should include solo songs in their set list and close with this vs. "Won't Get Fooled Again".) Way back in 1985, LPs (and cassettes) were released first, followed by a CD release. The original LP did not include "Love Me Like You Do", which was seemlessly introduced on the CD version(s). The album did well in the charts and there were a bunch of singles released from it. Roger's singles from 1986 featured several live tracks from his December, 1985 Boston Concert (see blog entry below). However, he also snuck in a leftover album sessions studio track, "Breakout", on the "b" side on various UK and Germany pressings of "The Pride You Hide". This song was never released again. I played this album endlessly, but never liked the compressed sound of it - hence, 40 years later I decided to remix and remaster it and it came out really well, with the "larger", more "open" sound that I hoped for. Please enjoy the sound samples below: After The Fire Don't Talk To Strangers Breaking Down Paradise The Pride You Hide Move Better In The Night Love Me Like You Do Let Me Down Easy Fallen Angel It Don't Satisfy Me Rebel Under A Raging Moon Breakout After The Fire (Live with The Who) Under A Raging Moon (Live Version From UK TV) Original Artist Versions (original mixes/mastering): After The Fire (Pete Townshend) Don't Talk To Strangers (Julia Downes & Kris Ryder) Let Me Down Easy (Bryan Adams) Fallen Angel (Kit Hain) Rebel (Bryan Adams) Under A Raging Moon (Jon Parr)
June 6, 2025 Pete Townshend - "White City" - Remixed & Remastered "From wiser folks who've been through it all, to the faded names sprayed up on the wall..." White City was released in November, 1985. The LP, the video, the CD, the picture disc, the singles... Although The Who had broken up several years earlier, this was a great time for Who fans (Roger Daltrey's Under A Raging Moon was only released (2) two months prior). So much great music... Why "White City"? You may recall that Pete was severely criticized by rock writer, Dave Marsh. Starting with The Who By Numbers... "The songs are too personal!" (I'll save the more detailed discussion of Marsh for another day). Suffice to say, Marsh got into Pete's head and it created writer's block. The many times Pete said he "can no longer write for The Who" circle back to "too personal = bad". If you ask any fan if they care or ever cared, the immediate answer would be "NO!". They might even scratch their heads as in "what are you talking about???" As far as I'm concerned, Pete is gifted and can write about whatever he wants. Great music is great music. Period. Hence, "White City" is a "thing" - something that Pete wrote about that wasn't "personal" (Actually, "White City" is a place - the sign for it was next to Sheppard's Bush). It provided Pete a theme to write about and stay focused on - which he did very well! So why did I remix and remaster this album? Way back almost 40 years ago, I was never satisfied with the sound. Even after buying every version known to mankind, I still struggled with it. If you play the Germany 12" of "Hiding Out" (both the extended version and instrumental), you'll note the sound quality/feel is much better than what's on the album. My goal was to make the album sound more like the 12". Rather than "reinvent the wheel", I stayed as close as possible to the original mixes. I started by remastering the individual instruments (to give them depth) and then I slapped them back together and tweaked them. In this case, I also made the mix a snad wider - so all the instruments and vocals could shine through. A tedious process, but the results came out really well (sound samples below). As much as I love "White City", I felt the album was a bit short. My version <below> makes up for that. A large assortment of "bonus" tracks from various <related> sources: "Face The Face" (Extended Version) was offered as a 12" in various countries. It's the same version included in the White City video. "Hiding Out" (both Extended & Instrumental versions) were offered exclusively in Germany as a 12". "Life To Life" was a track written for the 1986 Playing For Keeps soundtrack. It clearly has a "White City" feel and may have been one of the rejected tracks (reworked for the soundtrack). "Night School" (Overture) was released as a bonus track for the 2006 CD reissue of "White City". I renamed it "Overture" because it seems more like an intro to the "video version" below. "Night School" is the "post-White City" track at the end
of the "White City video.
Clearly Pete was trying to work out a "Night School" theme into the greater
"White City" story, but either making it fit, or the time to complete ran out... Such
a great song! Another labor of love... Please enjoy the sound samples below: Give Blood Brilliant Blues Face The Face Hiding Out Second Hand Love Crashing By Design I Am Secure White City Fighting Come To Mama
Face The Face (Extended Version)
Hiding Out (Extended Version)
Hiding Out (Instrumental Version)
Life To Life
Night School (Overture)
Night School
I Am
Secure (Demo)
Crashing By Design (Demo)
Man Without A Woman (Demo)
May 30, 2025 The Roger Daltrey - Live In Boston, Massachusetts - December 8, 1985 (Remixed & Remastered) By this time in 1985, The Who had already been broken up for about (3) three years. I had only seen them (once) in November, 1982 (quite a bit late in the game). Roger had announced his mini-tour, comprised of (6) six shows and my friend and I got tickets for the opening show at the <now defunct> Capital Theater in Passaic, NJ (December 2) and a week later at Madison Square Garden, NY (December 9). Prior to the start of the Capital Theater show, we waited in the freezing cold to meet Roger, who was gracious enough to chat and sign my copy of Daltrey. These shows were in support of Roger's <then> newly released album, Under A Raging Moon. The concerts were a real treat. Basically a combo of (7) seven songs from "Under A Raging Moon", Roger's solo hits and <naturally> several Who songs, with Eddie Cochran thrown in at the encore. John Entwistle sang "Twist & Shout" at the Madison Square Garden show. Speaking of MSG, a funny thing happened before the show began. MTV VJ, JJ Jackson was sitting a few rows behind us. He then tried to sneak to the front row, where security promptly escorted him back to his own seat. Russ Ballard (who some of you may remember from Argent), has written many songs for Roger over the years (including "Free Me"). Russ joined Roger on this tour, playing guitar (along with Clem Clempson) as well performing (2) two of his own solo hits, "Your Time Is Gonna Come" and "Voices" (which you may have heard on "Miami Vice"). The Boston show was broadcast by The King Biscuit Flower Hour. I ended up with several sets of the promo LPs, which I dubbed to CD and listened to for years. Unfortunately, like many other <made for> broadcast promos, the sound was a bit compressed. I thought <perhaps> I could take a shot at remixing and remastering it. It seems like a remarkable improvement as the results appear to have the "bigger sound" I intended. Judge for yourself... Please enjoy the sound samples below: Martyrs And Madmen Substitute Behind Blue Eyes 5.15 Your Time Is Gonna Come After The Fire Don't Talk To Strangers Breaking Down Paradise Giving It All Away Won't Get Fooled Again Won't Get Fooled Again Drum Solo The Pride You Hide Voices Pictures Of Lily Move Better In The Night Let Me Down Easy Under A Raging Moon Free Me Summertime Blues Come On Everybody
May 18, 2025 The Who Live - West Palm Beach, Florida - September 24, 2000 (Remixed & Remastered) There was tremendous excitement over The Who's 2000 tour - a trimmed down (5)
five piece band and a set list featuring songs from
Who's Next/Lifehouse. I went to (3)
three of those shows, July 1 at The PNC Arts Center, NJ (where I ran into "Who
friends" from all over the world), West Palm Beach (above) and October 7 at
Madison Square Garden, NY. These shows were absolutely amazing. The show that
stood out of the (3) three was West Palm Beach. The band always seems to be on
fire in Florida (perhaps the heat has something to do with it). Fast forward a
bit... What was interesting about all of these "bootlegs", was the sound was excellent on all of them (at least all that I heard). All Joel did was grab a 2-channel stereo output from the board and the sound was well-balanced and very enjoyable. These were much better than the early <official> Encore Series CDs which followed. Which brings me to this show... Since I've been tinkering around with some of the live shows (see previous blog entries), I thought I would give this one a shot. I learned some new tricks while working on the Madison Square Garden "Quadrophenia" and they worked really well on this show. I was able to improve the guitar sound and make the drums really pop. I took a really good recording, it made it even more "Who-like"... Please enjoy the samples below: Behind Blue Eyes You Better You Bet Who Are You 5:15 Won't Get Fooled Again Won't Get Fooled Again (Drum Solo) The Kids Are Alright My Generation
May 11, 2025 Quadrophenia Live: The 1996 USA Tour (Remixed & Remastered) The 1996 "Quadrophenia" tour was a huge deal for all Who fans. What started as Roger's 1994 "Daltrey Sings Townshend" tour featuring a large medley of songs from "Quadrophenia" morphed into a full-blown, complete live "Quadrophenia" with The Who at Hyde Park (UK) (June), followed by (6) six nights at Madison Square Garden (July), followed by a USA tour and several shows in the UK. There are a lot of details in-between which made all of this happen, both good and bad, but I'll leave those stories for another time... I went to (10) ten "Quadrophenia" shows between 1996 and 1997. Loved every minute of them as did all the other Who friends I knew at the time. Unfortunately, the only performance the band released from this tour was a mono video from Dayton, OH - which overdubbed parts of the 1997 tour. Considering all the enthusiasm fans had for these shows, this was a disappointment. Unfortunately, one of the "cast members" got himself in serious trouble with the law and its unlikely the band/its management would ever release any of the contents which included his performances. However, with AI, or just some creative overdubs, his vocals could easily be swapped out with Roger's... Perhaps one day... Sometime in 1996, I came to possess several soundboards of these shows. The common one of course is the pre-FM broadcast of the July 18 Madison Garden Show (MSG), but I also was gifted Portland (October 13) and San Jose (October 20). Both of these shows sound wildly different - not necessarily due to the performances, but perhaps where they were plugged into the soundboard. Unfortunately, both of these master tapes had some technical problems and they went un-listened by me for close to 29 years. For whatever reason, I dug these shows out and "fixed" the technical problems and remixed and remastered them - in fact, I'm currently working on the MSG show, which has been somewhat difficult for a variety of reasons. To me, you can never get enough of "Quadrophenia". Below are several sound samples of what I've been working on - Enjoy! I Am The Sea (San Jose) The Real Me (MSG) The Real Me (Portland) Quadrophenia (MSG) Cut My Hair (Portland) The Punk And The Godfather (MSG) The Punk And The Godfather (San Jose) I'm One (San Jose) The Dirty Jobs (MSG) Helpless Dancer (MSG) Helpless Dancer (Portland) Helpless Dancer (San Jose) Is It In My Head? (MSG) I've Had Enough (San Jose) 5:15 (Portland) Sea And Sand (San Jose) Drowned (MSG) Bell Boy (Portland) Dr. Jimmy (San Jose) The Rock (San Jose) Love Reign O'er Me (MSG) Love Reign O'er Me (Portland)
April 20, 2025 Pete Townshend: Live In Brixton (Deep End) 1985 - Remastered (And With Bass)! Once upon a time, we all would get a new LP, cassette tape, CD, etc. and be very excited for new (or improved) music. I still look forward to those days, but sometimes... Originally way back in 1986, an excellent VHS tape was released of <most of> this concert and with the Hi-Fi audio tracks, it sounded really good. The success of the video followed up with a promo 12" EP, which then became a USA/Canada only "Deep End" LP (and CD). For those of us collectors, we sought out the <digital> Japan Laser Disc as well as the <promo only> LPs from The King Biscuit Flower Hour (KBFH) and Westwood One (both of these promos had songs missing from the video). All of these sounded great - but unfortunately, not the complete concert... Fast forward in time to 2004... An official "full concert" CD was released on Pete's Eel Pie label, but... it had no bass! I recall at the time a lot of angry fans shouting "WTF!!!" All the previous versions had bass, but... ??? As Mr. Peabody's Wayback Machine returns us to the present... Last year (2024), a Pete <live> remastered box set was released and fans were looking forward to so they could finally have the complete Brixton concert with... bass! But as it turns out "remastered" just meant, the same mastering as the original discs, but with louder volume output. So once again fans screamed... "WTF!!!" With all this cursing going on, I figured I'd just take all the Brixton material I had and make myself a great (and complete) recording. The version I listened to for years, was the Japan Laser Disc, with the missing tracks <which were on the promo LPs>, stuck at the end). I had recently bought a $1,000 phono cartridge and decided to make an "all analog" Brixton as in "I'll show yah all there's bass in this damn thing!" However, "...here by the sea and sand, nothing ever goes as planned." A few things went wrong. 1) The new cartridge was defective! The right channel was 1.155db lower than the left (fixable digitally, but...) so I had the cartridge replaced (a first time for everything). 2) While listening to the concert, I thought it was too damn bright. After all this work recording, digital de-popping, etc. I didn't like the way it sounded. The Westwood One tracks were too bright and the KBFH and "Deep End" LP tracks were really good! I pretty much said 'uck it, putting this aside and remixed and remastered Tanglewood & Hull 1970 instead. After playing with various mastering settings, I kinda got it right. You can judge for yourselves and compare my analog sourced tracks to the "official" version(s): WAV's (Analog Remastered vs. Official):
Stop Hurting People (Remastered) vs.
Stop Hurting People (Official) Enjoy!
April 14, 2025 Live In Toronto 1982 - Remixed & Remastered So many of us can recall the day of the "last" Who concert in North America - December 17, 1982. All the hype and a free radio broadcast to boot! Like all the other fans of the day, I sat there with my cassette deck to record these precious moments. Fast forward to today... It's just amazing how many other fans put this show on their "Who pedestal". It's like the scenes from "Close Encounters" where everyone realizes they shared those special moments/visions with each other and what that day meant to them in their lives. The irony for me is, I never really liked/appreciated this particular show. I saw them ~(3) three weeks early in Orlando, Florida (immediately after they rested in the sun for a few days) and they were completely on fire. In comparison, I thought this show (while having its moments) was a bit "tired" in comparison. Today, I can better appreciate Pete's extraordinary guitar playing and all the fine nuances that the "younger me" never appreciated. Like most of the other fans who lived through this common experience, I was excited with the release of The Who Rocks America video in 1983. However, like so many other releases that followed, the post production wasn't great. The edited video (missing (4) four songs and John Entwistle vocal overdubs), didn't sound quite right. VHS, Japan laser disc and DVD... still no good. It wasn't until the 1997 remix/remaster of It's Hard that featured bonus tracks (from Toronto) remixed by Andy Macpherson, where the concert material really came alive... Not satisfied with the audio from the video releases, I had one of the promo LPs sets (both King Biscuit Flower Hour and Westwood One released radio show promos), but it was incomplete. The audio on the LP was far superior to what was officially out there. To complete the concert, I tracked down the set I didn't have and recorded both to digital HD (96/24). While just having the complete concert in better form should have been enough - it wasn't. Besides physical issues (pops associated with old, played records), there were technical glitches (reverse stereo on some tracks, buried guitars, bass, etc.). It seemed reasonable to demix, remix and then remaster the whole things, right? Well... what in theory sounds simple, became a complicated mess. Almost every track needed to be "fixed", starting with the drums. After remixing the entire thing, finding the right mastering (to let the songs breathe and preserve the sound/feel of the concert) was very difficult. Getting more "bottom end" created too much of a "compression sound" (which I absolutely hate). So, I compromised and the results were pretty good. After sampling the remixed and remastered tracks, I noticed that "Dangerous" didn't sound right. I remixed it again. The reason it didn't sound right was the guitar was about 7db too low and the synthesizer was also buried by about 3db (which is how it was recorded onto the promo LPs). All fixed! Here are some samples: WAV's (Remixed & Remastered): I Can't Explain Baba O'Riley Boris The Spider Drowned Naked Eye Squeeze Box Young Man Blues Enjoy!
March 30, 2025 Live At Hull 1970 - Remixed & Remastered Some fans may recall the excitement prior to the release of "Hull" in 2010*, only to be severely disappointed once they played it... Hull was quoted as "...better than Leeds" by Roger Daltrey (comments about the actual concert vs. the released CD). The band had recorded both concerts (a day apart), but Leeds was plagued with "crackling noises" and Hull was missing the bass on the first (4) four tracks. However, to release Hull, they decided to "borrow" the missing bass tracks from Leeds and offer the complete set. So... What went wrong? After asking about remixing Hull countless times and getting no response (as if a sore subject), I made several attempts to remix it myself - always ending up close, but not close enough... Several weeks ago, a simple idea hit me. Why not deconstruct Leeds, compare the levels of the individual tracks and then tweak accordingly? Wow! It worked! My first attempt was very good - but not good enough... As I worked on all (32) thirty two tracks, a few things started to pop out at me. 1) The high hats were too loud, 2) the backing vocals in many spots were too low. The problem with the high hats is that all that cymbal sound creates a "whooshing sound" throughout the recording. The way to fix this is by remastering the drum tracks to suppress them (see pic below). The backing vocal fix was relatively easy... Find the sections that need fixing and raise the volume level (pretty simple). Working on all of these tracks was a great learning experience. It would have been a better solution for Hull to have been remixed correctly in 2010, but dissecting all of this to discover the problems was... interesting. At this point, I'm happy with the new mixes and am working on fine-tuning the mastering. If someone wants to contact Pete or The Who's Management to give me the "OK" to share copies, please feel free and get back to me... Meanwhile, enjoy some sound samples:
I Can't Explain
Substitute
A Quick One While He's Away
Amazing Journey
Sparks
Go To The Mirror
Sally Simpson
I'm
Free
See Me, Feel Me
Summertime Blues
My Generation * Hull was released in 2010 as part of the Live At Leeds Super Deluxe Edition Box Set and then rereleased separately in 2012.
November 14, 2024 Shel Talmy - 1937 - 2024 - Rest In Peace I met Shel <virtually> in the year 2000. After negotiating with MCA Records over a 10-year period for the My Generation sessions multitrack tapes, he threw his hands up and gave up. So, like any other American with something of value, he took his 24 tapes and placed them on eBay at a starting price of $500,000 with a reserve. Everyone else thought it was some sort of hoax - but it wasn't. I immediately reached out to the seller (one of Shel's attorneys) and a relationship began. Let's rewind a bit... For those of you who don't know, Shel Talmy was The Who's first producer. He was an American living in the UK and was already working with many well-known bands. He produced the band's first (3) three singles, the My Generation album and a bunch of tracks in-between. According to Shel, he had a great relationship with the band, up until the point where his eyesight was failing. He believed he was "dumped", because he could no longer drive them around everywhere. (Whether that was true or not, that was his belief.) He absolutely loved Keith Moon and told me he was the most exciting drummer he ever saw. For the recording sessions, he surrounded Keith with (12) twelve mics to capture Keith perfectly. He also spoke very highly of the other band members and conveyed his disappointment of their separation and spoke to me about what could have been. At the end of Shel's relationship with The Who, he retained the multitrack tapes for all of his recordings. The Who retained all of the mono masters. Translation = The Who could not release any of this material in stereo without those tapes and Shel couldn't release his tapes without MCA (the record company) - hence, the desire for both parties to make a deal. MCA's side of the tape story was a little different. They felt that they Shel was very difficult, they'd come to an agreement and then Shel would change his mind and frustrate them. A (10) ten year negotiation over anything can be very frustrating for everyone involved. Shel initially wanted $1M USD for his tapes. In the beginning of our relationship i helped him to try to find investors, who might be interested in these tapes. What I came to learn was the tapes were essentially worthless because... Shel owned the <physical> tapes, MCA/Polydor/The Who owned the rights to release the music. Unless an investor/collector/etc. just wanted the tapes for their own personal listening pleasure (at an expensive price tag), they couldn't legally release the music themselves. At the time, I was also friends with the folks at MCA (who were previously negotiating with Shel) and they were still interested in the tapes, but only at a reasonable price. After many interesting conversations, I started to convince Shel that his only option was to make a deal with MCA. While he didn't want to, I also told him that time was of the essence. We had discussed the stereo tapes he produced that were released on Who's Missing and Two's Missing. He was previously unaware of these tracks and surprised that they existed. I told him that there was a search to find "the rest of the tapes". Meaning... that IF the rest of the period stereo tapes were found, there would be no need for his tapes and they would be obsolete. Further, I told him that the band might grow frustrated and re-record the album. While he thought that would be a terrible mistake, he also realized that there were (2) two possibilities that his tapes might be rendered worthless or at least with severely diminished value. So... Shel made it back to MCA, and they made a deal. Shel would produce the stereo reissue and be paid a reasonable sum and MCA would retain the tapes. It was a good deal for both parties. Prior to Shel going to the studio to mix the new "My Generation", he called me and asked me to overnight him the Who's Missing and Two's Missing tracks. He and I had many discussions about how great they sounded and if/when he had the opportunity to remix these tracks to stereo - that was exactly how he should do it. For whatever reason, Shel didn't follow the game plan we discussed. When the new My Generation came out, the stereo mixes were fairly narrow. I called Shel to ask him what his thinking was. While he liked the "wide stereo sound" of the tracks I sent him, he said, "...that's not how the band was set up and it's not accurate." (Meaning Keith Moon's drum kit was centered, not on the "side" of a stage, etc.) Overall, the release was a good effort, but disappointing to many fans who expected the "wide stereo". (I also had the pleasure of working with the folks in 2014 to release what was intended back in 2002.) One of my unsolved Who mysteries was regarding the (2) two versions of "Anyway, Anyhow, Anywhere", as in how did an alternate version end up in France and nowhere else. Shel explained that was a common thing back then. He explained that the alternate version was actually the original version. However, the band wanted something slightly different, so they re-recorded a new vocal directly on the mono master (apparently people are spreading unfounded rumors of missing stereo multitracks - that's simply not true). I enjoyed working with Shel and listening to all of his stories. Likewise, he seemed fascinated with my "Who collecting hobby". Later on, with Facebook, he would post all kinds of great stories about The Who and other bands he worked with. He was sharp and in good spirits right until the end. RIP Shel.
November 14, 2024 The Who - The Singles Discography - 1963 to Current All the way back in 1995 when I first created this "Who website", I never envisioned details such as release dates, catalog numbers and various other details. I wanted to create a <mostly> pictorial guide so that fans and collectors had a sense of what was out there in order to help them complete their own collections. At the time I started collecting, there was no internet. However, there were... Books, magazines, record stores/shows/fairs and a lot of "hunting". Over the years, countless people have asked me if I was going to "write a book" and my reply was always "no". A collection is always evolving. What I had or knew yesterday might be stale today. How could a book be better than a free, online resource for folks with constant updates? Recently, I decided to add more detail to the singles discography. I think it helped shape a story - especially all of the cover songs The Who did and with providing the original artists info and sound bites of the songs that influenced the band. This is the kind of stuff that cannot be replicated in a book. In fact, as I was adding the variations of the Boney Moronie, I realized I was missing a copy of Larry Williams' 1957 single - so I ordered one. Round 1 is complete. I "catalogued" the UK and USA singles added sound bites, alternate versions and some stories along the way. I suspect I will make future passes and add more details as time and desire allow. The next round will be the solo singles. Some fans don't really care about them, but to me they are just another extension of the "greater Who universe" and deserve the proper attention. Hopefully when I've completed that project, you will agree too! You can find all this "new stuff" after the "picture gallery" on each of the
singles' pages, beginning here.
Enjoy! October 9, 2024 John Entwistle - Covered In honor of what would have been John's 80th birthday, I've selected a few interesting covers from other bands performing John's songs. Dr. Jekyll & Mr. Hyde: Klingons - 1980 UK 45 (On the Kang label no less). I had to remix this one because the vocals were buried too deep into the mix. Boris L'Araignee (Boris The Spider): Tobo - 1990 & 1991 France 45 (in French). They released this twice. In 1990 as a "b" side and then in 1991 with the "Boris" artwork as the "a" side. Peg
Leg Peggy: Malcolm Tent - 2011 "Feel The Power" USA CD. Possibly the only
cover of this song (Until the new John Entwistle tribute CD is released in
November). Enjoy!
October 8, 2024 Pete Townshend - Covers 1970 - 1977 Some of you who follow my website may have noticed that I spent a lot of "space" over the end of the summer adding "covers" of all kinds to my site. My motivation was two-fold - not much Who product in the market at that time, and I thought some of this "filler material" was quite interesting (a few perhaps not-so-much). I recently dug up some interesting covers that Pete used on his initial solo albums. Here are the stories (and sounds) behind them. "Begin The Beguine" was written by Cole Porter in 1935. A few artists quickly
released their versions (including orchestra only), but it wasn't until the
version Leslie "Hutch" Hutchinson released (1939/1940) that caught Meher Baba's
ear and this became his "favorite western tune" (so much so that he wanted it
played at his funeral - and it was). "Till The Rivers All Run Dry" was written by Don Williams and Wayland Holyfield. Don released this song in 1975 and it rose to #1 in the Country Charts. Apparently Pete and Ronnie Lane heard Eric Clapton play live with Don Williams and they both thought the song would be something Meher Baba would love and included it on their 1977 Rough Mix album. Sound samples / Comparisons:
Begin The Beguine (Hutch) /
Begin The Beguine (Pete Townshend)
June 8, 2024 The Who - Live At Radio City Music Hall - June 27, 1989 I spent a good part of yesterday recording, editing and assembling this <complete> concert from various sources. This was my 2nd Who concert. Tickets were limited (and expensive) and my <then> boss challenged me to find a ticket for his wife. "If you get her a ticket, I'll pay for your ticket." Since they were broadcasting the show live, I also set up a VHS and Beta Hi-Fi recorder to my FM tuner. Naturally, everyone in the world had similar ideas and the concert was widely bootlegged (in varying qualities). Over the years, I've collected the various promos (LPs, CDs and master tapes), but each source had some flaws. Hence, I ended up assembling a bit of a "Frankenstein", but a good one. One of the challenges with this recording is that during "Cousin Kevin", Billy Nicholls' backing vocals overtake John's lead vocals in (2) two sections. I wanted to "fix" this, so I ended up lifting the vocals off of the same performance from the 1990 Join Together album. I had a hard time aligning the vocals and when I started creating sound samples for "Join Together", I immediately realized why... John recorded new vocals for this recording! Oops! Anyway, the recording pieced together nicely. I ended up using the intro from my original VHS Hi-Fi (promo reissues of it were censored), the "Tommy" tracks from the Westwood 1 radio show LPs, most of the encore tracks from the reel-to-reel master and finally the last (2) two tracks from a radio show CD (which I had to remaster since they were too bright). Here's a comparison of the original "Cousin Kevin" vs. remixed "fix": Here's a comparison of the original vocal for the song, vs. new vocal
(from "Join Together"): Lastly, this is the radio spot for the 1989 promo LP:
May 28, 2024 The Who - "The Poster Project" Way back in 2001 when I was preparing to launch the website, I had a bunch of posters to add. With limited options at the time, I was securing them to an old door and photographing them outdoors (with mixed results). I then set up a large poster board in the basement with fixed lighting and made a huge quality improvement. Fast forward to the 2010's, I acquired a tabloid size scanner (12.2 x 17 inches) primarily for LPs, (but... also posters). Posters <larger than the scanner bed) of course didn't "fit" on the scanner, so multiple passes needed to be made (sometimes up to 12 scans) and then be reassembled. If the poster was in "mint shape", the reassembly part could be easy (copy, paste, fill), but where the surface area might be uneven, a lot of work is involved. During the period from about 2007 to 2011, my "poster board" was replaced by a 120 gallon salt water fish tank and for several years, had no means to "photo" posters. Over the holiday weekend, I decided to dig out and go through my posters to see which ones I purchased, but never photographed or scanned. The first one I found <pictured below> was this 1970 UK poster, which must have taken about (5) five hours to complete. While I expected to find about a dozen posters or so, I found (3) three so far and have gone through about 90% of my "inventory". Since I spent so much time restoring this to a proper photo, I thought I'd share the story. Enjoy!
May 26, 2024 John Entwistle - "The Ox Box Set" - 2024 UK CD Box Set As a fan and a collector, I hate writing "bad" reviews of any Who-related products. I've always said, it takes the same effort to release something good as it does something bad. John Entwistle's CDs have been out of print since ~2006 and a lot of people were looking forward to this release. A new label (Demon/Edsel), new people involved... Maybe, they'd put out something that would really be great. They didn't. Looking at the pretty pix below, one might think - "Wow! This looks really nice!" For the most part, the packaging is. However, the primary purpose of buying ANY music is listening to it - and that's where this box fails. After sampling through all (6) six CDs, I found that they ranged from "too bright" (tinny, unnatural high frequencies, lots of treble. etc.) to extremely too bright. Essentially, rendering these CDs unlistenable. Why? John's albums have been released on CD on and off since 1996. Mostly good to excellent sounding releases (with a few fails in-between). The magic of the LP version of "Whistle Rymes" was never created on CD. The LP has a unique bass sound, which only the 1997 USA Sundazed label came close to recreating. Instead of being "too bright"? Why didn't someone go back to the original recordings, listen carefully and try to recreate/improve upon them? Isn't that what remastering is supposed to be? As for the content... The albums and respective bonus tracks copy the track list of the 2005 Castle (UK) and 2006 Sanctuary (USA) releases. (For example, the "Boris" vocals on "Cell No 7" were not on the original "Mad Dog" LP.) One of the other things that "hyped" this box... "Featuring detailed liner notes, rare photographs, and personal anecdotes from those who knew Entwistle best, this booklet offers fans an immersive experience into the life and artistry of this iconic musician." While that would have been nice, my reaction to the same was "yeah so?". The author seemed to be completely unaware of the original 1996 release of "The Rock" and pointed towards the (2nd) second release of the album on the Griffin label. Oh well... I added sound samples of these recordings to their respective albums - so you can compare for yourself how they sound. You can find them beginning here: John Entwistle Albums Note: I have played the colored vinyl LPs (Demon label/same company). They do not sound identical to the CDs, but they do sound overly bright and not natural.
May 5, 2024 The Who - Who (2019) - Remixed & Remastered (2024) - Update and Free Download "Never give up, never surrender..." is a great tag line from the "Star Trek" spoof movie, "Galaxy Quest". As some of you may already know, I have been "working" on this album since its release in 2019. Perhaps the last ever studio album by the best-ever band, The Who. Who wasn't mixed and mastered properly causing so much grief among Who fans. What happened? It's a "busy" album - there's a lot going on inside - many instruments, orchestrations, etc. The original mix was too narrow and caused distortion in several of the songs (i.e. the cymbals clashed with the guitars on "Beads On One String"). The mastering engineer "compensated" for this by dumping bass all over the album, making it dull and lifeless. (Oddly, it played "OK" on certain computer speakers and ear buds creating inconsistent reviews (i.e. "Sounds horrible!" to "Great album!"). Both of these examples were true. It IS a great album and it did sound horrible. I never gave up on it. Last year, with new software, I was able to remix and remaster it successfully. I created a very enjoyable version of the album. The mix was reminiscent of Pete Townshend's Rough Mix with the vocals very "up front". It played superbly on my various car stereos and I was really happy with it until... A very close friend said to me, "Don't you think the vocals are too high in the mix?" My first response was "no", but I had to think about it. Was a good sound the compromise for a non-perfect mix? After spending close to (3) three years trying to fix this, I needed a break, but never forgot what he said... Having a few days of free time (a rare treat), I started testing some new mixes. My original remix widened the album by 60%. This time, l tried 40% and lowered the vocals in the mix. The vocals still maintained a great presence, but with the narrower mix and less volume on the vocals, I ended up with a much more cohesive and musical version. All I had to do now was remaster it. Remastering wasn't easy either. I ended up making the instruments shine, but the vocals became elevated and their tone changed. It didn't sound 100% right. I tend not to read instructions, watch "helpful" training videos, but I knew I was really close here - so I went to Google for "mastering tips" in similar situations. Time consuming but simple... Master the instruments, then mix in the vocals. Here are (4) four sound samples of "Detour" and "Break The News" - remixed and remastered instrumentals only and then with the vocals mixed in: Detour (Instrumental Only) Detour (Remixed & Remastered) Break The News (Instrumental Only) Break The News (Remixed & Remastered) So... that's the short version of how all of this came above. You can find all the information about the various versions of Who here (including sound samples of the original, 2023 remix and 2024 remix). You can read all about how to remix and remaster the album yourself, here. If you want a free download of the new remixed & remastered version, please email me at whitefang@thewho.info "You have really made this album come alive. I've listen to this record numerous times and never heard the background vocals, guitar, harmonica, synths and other nuances so clearly. In several tracks, there were sounds I have never heard before. They really stand out. It has more spacious and fuller sound. This is definitely the version I will play as my go to." "As we say on this side of the puddle, "You've played a blinder'. I take my wig off to you, amigo. Somehow you have managed to remove the thick woolly socks that were placed on all the studio's microphones and give the record the dynamic range it totally lacked in the official iteration. My estimation of 'WHO' has gone up substantially thanks to your magnificent work. Thank you!!!!!!!!!"
April 28, 2024 Roger Daltrey - Heart's Right / Walking The Dog - 1975 USA 10" 45 Acetate Here's another interesting rarity... This acetate was pressed in the same month that the USA Come And Get Your Love b/w "Heart's Right" was released in the USA and Walking The Dog b/w "Proud" was released in the UK (Get Your Love / World Over was released in the UK in May of 1975). Either they weren't decided yet on the USA single (or perhaps anticipating a second single), this combination of songs was never released as a single. Scattered throughout my site are a bunch of odd test pressings of singles that were contemplated, but never released. Cool stuff...
March 3, 2024 The Who - Live At Shea Stadium 1982 Just released on March 1 (~ nine years after its release as a DVD and Blu
Ray), is The Who
Live At Shea Stadium 1982 in LP and CD formats (worldwide). This concert was
originally supposed to be offered as a CD in 2015, but for whatever reason, it
never happened. Better late, than never! Fast forward to 2024... the <former> video is released as an LP and CD (sans
the bonus tracks). Rereleasing older material can always be an opportunity
for improvement and here was a chance to fix the mix issue and perhaps get
even better sound from the concert. Unfortunately, that didn't happen. The mix
is the same as 2015 and the mastering went from pretty good to pretty flat (all
2024 formats). Additional sound samples and info about the other
releases, can be found here:
The Who Live At Shea Stadium 1982
January 28, 2024 Roger Daltrey - The Who's Tommy Orchestral - REMIXED When the album came out in 2019, I was really looking forward to it. I love all versions of Tommy and was always fond of the 1972, London Symphony Orchestra (LSO) version. However, I was quickly disappointed by this. My first impression was, where's the orchestra??? After chatting with several folks, I had learned that someone thought it was a good idea to split the mixing responsibilities to separate engineers - one for the orchestra and the other for "the band". So instead of one person integrating an entire concert - the orchestra was mixed and handed off to another engineer who laid the band on top of the orchestra. Hence, what we got was mostly a "band mix" with occasional orchestra sounds peering through. So... I put the album aside and didn't listen to it again... Fast forward about a week ago... I was listening to A Celebration (Roger's 1994 Orchestrated live album) and I was thinking how great this album is and how good it sounded... I switched over to some tracks on Tommy Orchestral and <again>, I was disappointed. hMMM... Why don't I take a crack at remixing this? I did and I love the results. Basically, I made a few "tweaks". I panned the bass and guitar tracks by 25%, increased the volume on the orchestra and... lowered the vocals by an equal amount (usually I like "loud" vocals, but on this album they didn't seem integrated with the rest of the music). Roger was a bit too loud and Simon (singing the Pete parts), too low. Not huge changes, but they gave the orchestra some space and let the "big feeling" shine through. I played the remixed album on one of my "big" stereo systems and was fairly impressed with the changes. Not so easy to provide samples which will allow you to appreciate the remixes (30 second WAV files and computer speakers), but some of you might want to hear them anyway: Amazing Journey Eyesight To The Blind Pinball Wizard Go To The Mirror I'm Free Sally Simpson We're Not Gonna Take It See Me, Feel Me
January 18, 2024 Roger Daltrey - Quicksilver Lightning (Extended Version) This AM I had an interesting <personal> discovery - I played <part of> a
record for the very first time and heard something very different (and
cool). A friend had emailed me about this record the other day indicating that
Quicksilver Lightning (from the UK
(and Germany) 1987 12" of "Hearts Of Fire") was an extended version (over 9
minutes). I've owned this record (several copies) since 1987 and never played
that track. Why? There's no indication what-so-ever on the sleeve or the label
that this version is any different than the 1986 release. Naturally curious, I
played/recorded it and wow! The whole song comes to life and is amazing! Quicksilver Lightning - Extended Version
Part 2: Here's a comparison between the EP and Album versions (Note the backing vocals on the alternate version). Lover's Storm (Alternate Version) Lover's Storm (Album Version)
January 15, 2024 John Entwistle – Rigor Mortis Sets In - 1973 UK LP & Mad Dog - 1975 Germany LP Today I decided to pull these LPs out and record them to HD. While I like the 1997 Repertoire label Rigor Mortis CD, I recall the LP version having more bass. Not-so-likewise for the <same year/label> Mad Dog CD - it's WAY too bright and lacks the "character" of the original LP. I picked these (2) two LPs (UK & Germany) because these seem to be the best sounding of all their counterparts. Both made very good recordings and "Mad Dog" especially was like listening to a whole different <better> album. While listening to
Cell Number Seven (track #2 of "Mad Dog"), i was like... whaaaaaaat????
Other than gathering sound samples, I haven't played these LPs in ~30 years. I
was reminded that the LPs have the original "doo wop" (1950's sounding) backing
vocal vs. the CD album versions using the "Boris The Spider" type backing
vocals. I reminded myself that in 1996 John remixed and rerecorded a bunch of
tracks when he was working on his very first CD (of songs from his original
albums), Anthology. While not used
for that CD, this was one of those tracks (he gave "Made In Japan" the same
"Boris vocal" treatment) and it ended up being used on the 1997 "Mad Dog" CD
album. Fast forward to 2005/2006, the CD was reissued on the Castle (UK) and
Sanctuary (USA) labels with bonus tracks. The core album used the 1997
Repertoire master, but they apparently were confused with the bonus tracks and
referred to the original album version of "Cell Number 7" as the "Single Mix",
when indeed the "single mix" is the same as the original LP version. December 17, 2023 John Entwistle – Too Late The Hero - 1981 UK 45 Picture Disc(s) Several years ago, a friend in the UK told me he had an unautographed copy of John's picture disc. He couldn't find it, so I never saw it (or any other copy before). As many of you know, ~1,500 of these were made and John signed all of them. Apparently, not quite "all". I own about (7) seven or (8) eight of these and if I see one online selling "cheap", I'll "rescue" it. In this case, the seller (eBay) displayed pix of an autographed copy and much to my amazement, I received an unautographed copy! The seller later explained that the scans he took of the disc didn't come out well, so he grabbed something online (without disclosing they weren't actual photos). While it's great to have John's autograph, I think its really cool to have one of the only ones without it as well... Happy collecting!
December 8, 2023 The Who – Magic Bus - 1968 Taiwan LP(s) This morning I realized that my The Who 1968 was unfinished. It appeared that whatever I started, I never finished scanning all the label faces, so I remedied that today. In the process of "pulling LPs", I noticed I had (2) two different Taiwan Magic Bus albums. While the covers are almost identical, the difference can be easily compared by the darkness/lightness of the Liming label logo. A quick peak at the label and not only is there a color variation, but the print/contents are different as well. I'm not quite sure how I ended up with an extra copy, but in this case, I'm glad I did. Going through the updated 1968 page, I also rescanned several LPs, which were originally decent (but not perfect) photos (which were taken about (22) twenty-two years ago). One of the best "upgrades" was The Best Of The Who (also from Taiwan) and I included the back cover (which I did not have a photo for previously) because it was a really cool variation. Some of these older, Taiwan LPs are extremely difficult to scan since the cover art has a protective plastic (which is typically very wrinkled). Getting the right scan from these can take hours of work - but it is what it is...
November 24, 2023 The Who – Live In Toronto, Canada - December 17, 1982 Who doesn't recall the "final concert" show? Broadcast live, every fan (at the time) that I knew had set up their tape recorders to capture the "last ever" show in North America. Well... not quite (but at the moment it was). There's always been a lot of criticism about this show (including from myself) for a variety of reasons. However... I spent the last several days remixing the show from what I consider the "best source" - A combination of the "Super Groups" and "King Biscuit Flower Hour" (promo/radio show broadcast LPs). Why both? Of the (25) twenty-five songs played that night, the "Super Groups" only has 21 of them and the "King Biscuit" has the missing (4) four tracks. While the overall sound from both LP sets are very good, I had to deal with a tremendous amount of pops on one set and reverse/backwards stereo (left and right channel swapped). "Dr Jimmy" had a nasty "beep" to censor out the "...f*cking <will he>..." line and when I removed the beep, it left a gap in its place. A simple cut/paste restored the continuity of the song (and no beep). I thought the remixing was necessary because there were a few elements that needed correction: John's bass (too low in the mix and needed more separation from the other tracks), Kenney's drums (just a little too low) and the lead vocals (too loud). Normally, I prefer loud vocals, but they still need to fit with the instruments. I didn't bother to remaster any of the tracks, but perhaps after I play them <all> a few times, I may decide they can use an extra touch... Overall, I feel that I restored "the sound of The Who" vs. what a mostly a "sterilized" version of the same... Below are samples to all of the tracks I remixed as well as The Who Rocks America (Japan Laser Disc Version) "Twist & Shout" - since as some of you may not know (or recall), John recorded a studio vocal to overdub the live vocals from the concert. Certainly more polished, but I prefer the live version (as in "each to their own sewage"). Enjoy the samples! My Generation I Can't Explain Dangerous Sister Disco The Quiet One It's Hard Eminence Front Behind Blue Eyes Baba O'Riley Dr. Jimmy Boris The Spider Drowned Cry If You Want Who Are You Pinball Wizard See Me, Feel Me Love Ain't For Keepin' 5:15 Love Reign O'er Me Long Live Rock Won't Get Fooled Again Won't Get Fooled Again (Drum Solo) Naked Eye Squeeze Box Young Man Blues Twist & Shout Bonus: Twist & Shout (Vocal overdub version from The Who Rocks America ) and The Quiet One (Vocal overdub version from The Who Rocks America ) and original version (comparison)
October 15, 2023 The Who – Live At Leeds - LP Label Comparisons Some fans/collectors are really into labels - I've never really been, but I do find them interesting (when I notice something different, unusual, unique, etc)... While searching for something online the other day, I happened to notice that the Austrian Live At Leeds actually had, "Made In Austria" printed on it. Not as part of the "fine print", but as part of the artwork. hMMM... That's pretty cool. As I started looking through other country's labels, I found a whole bunch of neat variations. So, I pulled out all of my original pressings (and perhaps a few interesting reissues) and started scanning labels. So, rather than me blab further about all the work that went into this, please visit the (3) three pages of Live At Leeds from (around the world) and their various labels. Enjoy!
September 15-19, 2023 The Who – Who's Next /Lifehouse - 2023 CD/Blu Ray (Box Set)
Wow! Wow! And… WOW!!!
While a few fans have criticized the price (~$250 - $300 USD), let me assure you
that the San Francisco 1971 concert
(Discs (9) nine & (10) ten) is worth the price alone! So… let’s start
here. What do concert tickets cost these days? This show is one of those
flawless, ultimate Who concerts. The kind of show that if you had Mr. Peabody’s
Wayback Machine, it could top your list of Who shows to visit. From start to
finish the entire band is on fire. It has a different sound/vibe than
Live At Leeds (Leeds) with Pete
Townshend (Pete) and John Entwistle (John) dueling each other the entire time to
outperform each other. It’s absolutely amazing to listen to them in a way that
<perhaps> has never been quite captured like this before (for an entire concert
release). In the middle of Pete and John are Roger Daltrey (Roger) (unbelievable
power, energy and flawless) and Keith Moon (Keith) drumming non-stop. If you
love The Who, these (2) two discs will just blow you away. The value? A concert
ticket <barely> buys you (1) one performance. Here, you get to listen to this
show as many times as you like (and you will).
Skipping around a bit… Disc (4) Four –
The Record Plant Sessions… While <mostly> previously released before,
there were some surprises included which make these very special. They now
include studio banter (great stuff) and… A previously unreleased version of “Behind
Blue Eyes” (really great) and while not labeled as “new” per se,
“I’m In Tune”
(“Getting In Tune”) which appears to be
noticeably different (and about 21
seconds longer). This material deserves its own disc and finally has one.
Very enjoyable and truly great performances.
Moving on to Pete’s demos
(Disc (2) two and (3) three… First and foremost… I LOVE Pete’s demos. Not just
these ALL of Pete’s demos. His demos represent his raw talent, genius and
creativity. He even plays all the instruments! I can recall the first time I
heard <some of> these demos. They were on a bootleg LP, appropriately titled,
“The Genius Of Pete Townshend”. Even with the crackles (from an acetate source),
the music and performances were just fantastic. Later, I purchased “Who Came
First”, which had more of the same and yada, yada, yada… Some of you may already
own Pete’s “Lifehouse” box from
2000. While the sound quality was flawed (I posted
how to correct it on my
website), the content was endless. This version of “Lifehouse” is
not the same. From what I understood
was that this was a “getting back to basics” featuring the original <yellow> IBC
label acetates as the “starting point” or “core” “Lifehouse”. While those (2)
two discs might be what was pressed/presented at the time, I don’t believe that
was a complete representation. For example, I have a different “Lifehouse”
acetate set on the Master Room label,
which includes… “Classified”!
(The version that was used on the "Glastonbury
Fayre" LP set.) Hence, this song was clearly intended for “Lifehouse”, but
appeared neither on the previous release or this one. My point is that
“Lifehouse” seems to be a big fluid and not necessarily exacting (another
example is “Electronic
Wizardry”, which was defined as an unused Lifehouse track when
released as a bonus on a “Psychoderelict”
single in 1993. We learned subsequently, the song became “Wizardry”, an unused “Quadrophenia”
track. At the end of the day, someone has to make decisions what to include and
what not to include. Some people will be happy, others might scratch their head
trying to figure it all out <again> and that’s OK. So… The released songs ARE
great. You might recognize “There's A Fortune in Those Hills” from the last “Who
Came First” release. Also included is a brand new find, “Finally
Over”. Pete also included some newly mixed tracks, which “freshen” up the
demos a bit and provide extra value (since they are… different than previously
released versions). Great stuff!
Who’s Next
(CD (1) One)… Not
much to say here. Simply a very fine, newly remastered version of the original
album.
The Blu Ray…
(to be continued for an update in
the near future)
Other <Noteworthy>
Comments…
The Almost:
One of the initial concepts was to recreate “Lifehouse” by filling in the
missing parts/pieces and mixing them in with alternate/unedited “Who’s Next”
songs to create something unique onto its own. Using
Pete’s “Lifehouse Chronicles” as guide, songs like, “Teenage Wasteland”, “Mary”,
“Greyhound Girl”, etc. were going to be recorded in the studio (with Roger
and others) to transform the demo versions into “Who versions”.
Unfortunately, Covid19 sent us all into isolation and it never happened.
Heroics: A
friend in Italy, Alberto Genero donated the use of some of the master tapes in his collection
to help with the rarities. That was very generous and kind of him. One of the
tapes was “Time Is
Passing” (stereo). On the first tape machine, one of the channels played
back a bit out of phase, making the tape unusable. However, a different machine
was then used and the problem became “manageable”. Eventually,
there was a world-wide tape search and they were able to locate a perfect tape (tape
warehouse databases change all the time). Few people get to see the “behind the scenes” and often,
not enough (and sometimes not at all) credit is given where it is deserved.
The Missing:
I referred to “mostly” above. I wouldn’t be me, if I didn’t point out a
few songs that were not included… You might recall the alternate “Too Much Of
Anything” from the 1995 remixed/remastered “Who’s Next” (which was actually used
in error at the time). That version is not included. “Getting In Tune” (the
previously released version from the NY Sessions) is also not included. The good
news is, you most likely have these already and if you don’t, they are widely
available. As mentioned above, the Pete demos released here in the box are
different than the previously released “Lifehouse Chronicles”. Hold onto that
box too! So
the bottom line is… If you haven’t bought it already, do it now! It’s truly great and you
will endlessly enjoy it.
Mixed feelings about this disc. It’s good, but in my mind, it doesn’t go far
enough…
Starting with the original “Who’s Next” section, you are listening
to is basically… (the original “Who’s Next”). The “new mix” doesn’t
excite me, because the most likely purpose of it was to give the listener a nice
5.1 (or more) experience of the original album and not much more (which is
perfectly fine). I can see where a lot of fans would like just that. Me? I
would like to see all of the unedited parts used (i.e. the lead guitar from “Going
Mobile”, the extra 12 seconds from “Baba
O’Riley” (not included in this box set), the extra versus in “My
Wife”, etc.) If you are going to “remix it”, in my mind, REALLY remix it
– just like the bonus tracks throughout the CD section of the box set (or
perhaps do both – to satisfy both sets of listeners). Again, nothing “wrong”
going on here, but for “2.0 Me”, just another “Who’s Next”. One
of the funnier stories that came out of the above, was with “Bargain”. At the
time they were prepping for the Atmos mixes, I had coincidentally remixed
“Bargain” myself, with
alternating Pete vocals from right to left channels. I sent a copy to Jon
Astley to see what he thought of it and he somehow mistakenly believed I had a
copy of the original multitrack tape (for “Bargain”). The exchange of emails was
a little like Abbott & Costello’s “Who’s On First?” (until I was able to clarify
exactly what I sent him). Unfortunately, the multitrack for “Bargain” was
missing. Since I was working with “demix” software (which takes 2.0 tracks and
converts them to multitracks) at the time, I was asked to demix a flat, HD
master of “Bargain” to use for the Atmos. Not quite a true multitrack,
but much better than nothing at all…
Moving on to the “Bonus Tracks”…. I can appreciate the work that
went into these and in many examples, I found them to be interesting and with
cool nuances (“Naked Eye” is a good example of that). I probably prefer
“When I Was A Boy” here vs. the newly remixed CD version (someone else might
prefer the CD version). A few things that bothered me though were… “The
Seeker” – it’s the “unedited” version but… it lobs off the
ending (which was included on the CD version). On “Join Together”
(also unedited), one of the coolest features is Pete’s pennywhistle. However,
Steve mixed it out on the bridge, but left it intact throughout the ending (see
samples below). Artistic choice? Sure. However, I’m not a fan of it.
Before getting to the bonus track samples, I want to comment on the sound… The
bass seems a bit “boomy”. Fairly easy to fix, but not sure why this happened in
the first place…
Bonus Track Samples:
The Seeker
Lastly, please don’t
take my comments as “negative”. Critical yes. Me being a bit picky, yes. But at
the end of the day, it’s all good and yours is the opinion that
counts! Enjoy!
July 30, 2023 The Who – Who's Next - 1971 Taiwan LP (PRC Label Version) The summer is typically quiet for collectable records. In the course of
looking for a record from South Africa, I reconnected with an old friend, who I
purchased many Asian and African collectibles from at the
Utrecht Record Faire
years ago. While he didn't have the record I was looking for, it turns out he
had some really nice LPs from Taiwan and
cassettes from Thailand. Yesterday, I scanned them and added them to my
website! You can visit the other Taiwan Who albums here. Enjoy!
June 10, 2023 The Who – Happy Jack - 1966 1st & 2nd Israel 45 (EP) Versions Once upon a time, I had both of these EPs. I never gave much thought to the fact that the were different and when an opportunity to trade with a friend for a John Entwistle single came up, I traded my 2nd pressing (red Polydor label) away. At the time, I gave no consideration to the <then unknown> fact that the 2nd pressing is much rarer than the 1st pressing (orange Polydor label) - I just wanted the other single. A few years since then I realized that I have never come across another copy and since it is an interesting variation, I'd like to display it on my website. The Israeli vendors (who I've purchased from over the years) never even heard of it! Anyway, as luck would have it, I found another copy and here it is...
May 21, 2023 The Who – La La La Lies / The Good's Gone – 1966 Ireland 45 After long last, I've completed my Ireland Brunswick label 45 collection. For the most part, these singles are almost indistinguishable from their UK counterparts. However, this one (on the top left side) includes, "Pressed In Eire" on it (I've enlarged and brightened the print on the border of this picture so you can see it clearer). There appears to be some release gaps - I have not seen any Irish (45) pressings (post 1966) until circa 1970, and even at that time forward, there appears to be some gaps between releases (vs. the UK). Either way, very nice to have. Note: Later Ireland pressings may include: "Made In The Republic Of Ireland" or just "Made In Ireland".
May 21, 2023 The Who – My Generation –
1965 UK LP – 1st
& 2nd
Pressing (Label Variations) Here’s something “new” which I just learned about recently
– a 2nd pressing of the UK
Brunswick LP. I found this while searching for something else on
Discogs. There actually is
a section for 1966 pressings (with this label face), Is it rare? I don’t really know <at this time>, since this
is new to me. Something else for us completists to track down…
April 22, 2023 The Who - Pop Giants Vol. 3 - 1974 Germany LP Every now and then, you find something interesting that you
already have. Today was one of those days. I was searching online for various
My Generation LPs on the
Brunswick label and this album popped up. I look on my website, nothing to be
found. Ah... something new to buy. Almost. It seems I had a 1970 Spain LP by the
same name (or at least I thought I did). I checked out my
70's Best Ofs in my record room and
this was the only LP I had under this title. Upon closer examination, it wasn't
from Spain, it was clearly from Germany. How did that happen? Back in the days
of the weekly record show, I bought all kinds of items like this. Never even
bothered to look at the label or anything like that. Whatever the seller had
labeled it, that's what it must be, right? Not even close. Not only did
I correct my entry (on the website), but I scanned the label as well. I thought
it was kind of cool to have another <original pressing> Who album on Brunswick
and here it is...
March 23, 2023 The High Numbers - Zoot Suit - 1964 - UK 10" 45 Acetate As you know, our favorite band began as The Detours, changed
their name to The Who, then changed it to The High Numbers (briefly) and back to
The Who again. During their High Numbers period they recorded and released one
single, "Zoot Suit" back with "I'm The Face" (other songs were recorded at that
time, but not released until many years later). The acetate <label> pictured
below is actually the 2nd "Zoot Suit" acetate I've acquired. I knew about this
one since ~2019, but the former owner didn't sell it until now (you can compare
the two here).
February 18, 2023 The Who - Who's For Tennis? - 2023 Argentina LP Over the years there's always some sort of conversation that
springs up about the aborted, 1968 Who album, "Who's For Tennis?". Various track
lists, different covers, etc. Way back in the 1990's, I met a gentleman in the
DC area, who claimed he had a tape copy of the <intended> original album and he
loaned me his tape. The track list of that tape was: Looking back (>25 years ago), it didn't seem likely that "Naked Eye" would have been a 1968 track and I don't recall anything remarkable about that version. However, the rest of the tracks make sense. Unfortunately, I never made a copy of the tape and lost contact with the owner of it shortly thereafter. The <Bootleg> LP pictured below is a bit nostalgic. The track listing certainly isn't accurate (most of the tracks were lifted from The Who Sell Out Super Deluxe Edition), but its an interesting piece, regardless. For more information, track listing, CD version, etc, please visit this page.
February 9, 2023 The Who – Who (2019) - Remixed & Remastered (Free Download) Who... Again??? Once again... A conversation about the 2019 album, "Who" and finally, a "success story". For the last (3) three years, I've revisited this album many times attempting to "fix" its horrid sound. I came close so many times, but never to my satisfaction - until now. A friend of mine convinced me to download the newest version of the software I originally used (this version was night and day different). So... I started from scratch and have been blown away by the results. Fortunately, the software did most of the heavy lifting - and my past experiences/attempts with the album, brought it home. I had been told that the distortion on several of the tracks, was due to Pete's guitars. This turned out not to be true. My new mix has no distortion. What I found on one track was the percussion was clashing with the guitar(s), so I mixed the percussion down a bit and then there were no issues. Remastering is a lot harder than you can imagine. You need to be able to listen accurately to what's playing. What may "sound good" on one system, can sound poorly on another. Fortunately, I found the right mastering that worked with the album. If the album was released exactly like the way I transformed it, I would never have had the need to tinker. In retrospect, what I did was very simple. I didn't enhance any of the instruments (i.e. making the drums sound better), I just wanted a clean and enjoyable sound - and that's what I got. Wav Samples (16/44): As you can hear from the sound samples - clean, open, fresh
sound - a pleasure to listen to and enjoy.
January 22, 2023 The Who – Archives - 1979 Australia LP Archives is one of the first ever bootlegs I purchased (circa 1983). The album featured a range of cool tracks, but what interested me the most were the Pete Townshend demos (some of which <at the time> couldn't be found elsewhere). What I found frustrating about the album, was that the opener, "That Motherland Feeling"/"Rael" was extremely off-speed. It was right in-between 33 & 45 RPM and the crappy Technics turntable I had, couldn't reach the correct speed. As I shopped for high-end turntables (TT), one of my objectives was to find a table with the ultimate pitch control - so I could play this song at the right speed. It took a while and when I got the TT home, this LP was the first I played. Well worth the wait. Other sources for the song have popped up since, but I believe this to be the best. The track listing is fairly varied. Pete demos, unreleased Who studio tracks and <at the time> (3) three unreleased tracks from Live At Leeds. Quite a nice package for collectors. The track listing (not in order):
Demos:
That Motherland Feeling/Rael, Do The Strip, Kill My
Appetite, Disguises, Don't Look Away, I'm A Boy, Glow Girl, Glittering Girl Sound Samples:
January 15, 2023 The Who – Quadrophenia - 1996 Canada CD (Remixed & Remastered) And... A friend was asking me some interesting questions about my Quadrophenia Sound Comparisons so I went back and investigate. The short version is that I discovered that the Canada CD was released in reverse stereo (i.e. the left and right channels are just the opposite of what they were intended to be). I thought perhaps my copy might just be a fluke, so I purchased a second copy. What's even more interesting about this release, is that Disc 1 is in reverse stereo, Disc 2 is correct stereo. How did something like this happen? My "guess" is that some engineer heard the opening guitar in "The Real Me" and "knew" that The Who always had "guitars on the right channel", so he/she "fixed it". Why not the 2nd CD? Who knows? And Mr. Peabody's Wayback Machine has been long retired. Here's a sample from "The Real Me". Compare it to the <correct> USA CD
version and note the placement of the guitar(s): This is a sample from "Helpless Dancer". Compare it to the <correct> Japan CD version and note the placement of the vocal(s): Helpless Dancer - 1996 Canada CD Helpless Dancer - 1996 Japan CD The Canada CD and the USA CD are almost physically identical. On the back of the CD, you will have to squint really hard to read "Canada" in the print. Pictured below is the front cover, a close up negative of the print on the back cover (which is in black) and a graphic comparison of the Canada and USA "The Real Me" samples (the USA version on the top). Other than the oddity of this as a collectable, the Canada CD suffers from the same poor sound quality as its USA companion. Apparently both of these masterings were coded with pre-emphasis but unlike the Polydor versions (Germany & Japan), someone at MCA must have forgotten to "throw the switch" and caused it to have an adverse frequency shift.
January 10, 2023 The Who – Substitute / Instant Party - 1966 UK 45 (Solid Core Version) I never noticed this one before until I recently saw it on eBay and scooped
it up. The common version of this
single is the 3-prong version. While there seems to be various pictures of
this version around the internet, it doesn't appear that easy to find. January 4, 2023 The Who – 1975 Austria “Squeeze Box” 45 w/Negative Version I was scrolling on eBay this AM and came across a copy of the Austrian “Squeeze Box”. I thought, what a shame they didn’t create a black one, like “The Who By Numbers”. However, Austrian singles a component of Austria vinyl matched with Germany sleeves, so… But, it does look nice, doesn’t it?
November 24, 2022 The Who - The Who Look Back - 1971 USA LP (Acetate) "The Who Look Back" is the original title for Meaty Beaty Big And Bouncy. If you can picture the original cover of The Who looking out the window at the "kids" (representing their younger selves), it's "The Who Look Back". However, apparently they thought the title was boring and changed it to "Meaty Beaty Big And Bouncy". "Meaty" to represent Roger's muscles, "Beaty" representing Keith's drumming, "Big" to represent John ("The Ox") and "Bouncy", representing Pete "bouncing" all over the stage. While it's fun to read about some of the history of The Who, it's even better to have the pictures that match up with the stories, and that's exactly what this is. Enjoy!
November 20, 2022 The Who - Who - 2019 UK LP (Abbey Road Mastered Test Pressing) So… what’s this? Yet another
piece in the puzzle. Apparently, Abbey Road Studios got a shot at remastering
the album and for whatever reason, the “other” mastering co was used
for all CDs/LPs, etc… All This Music Must Fade Ball And Chain I Don't Wanna Get Wise Detour Beads On One String Hero Ground Zero Street Song I'll Be Back Break The News Rockin' In Rage She Rocked My World Bonus: Sand (Demo) (Remastered <as above> from the 3 LP 45RPM Audiophile Edition) Enjoy!
November 16, 2022 The Who - Who - 2019 UK LP (Picture Disc) The “picture” is only for “cool display purposes”, the story is about the album…As most Who fans are aware, this album was released with great expectations and to many, terrible disappointment. The “problems” with the album weren’t about the music or performances, but with the post-production (i.e. mixing and mastering) which created a mostly unlistenable sound. So, rather than praise the album for its achievements and listen to it on a regular “music rotation”, it ended up getting buried in most fan’s collections. That’s a tragedy. I never, ever accepted this. I won’t go into the reasons why the “Fixing” was never easy. It requires patience, skill and the right tools. When I started out, I had none. Initially, I was able to use the crappy tools I had, download some others and create a “listenable” album that was “OK”, but by no means what it should be. A friend of my introduced me to a new software which “demixes” existing two-track stereo to create (4) four separate tracks – allowing you to “remix”. It’s very cool. Mono tracks can now be mixed to stereo, etc. It’s not perfect, but it’s “perfect enough”. “Who” was plagued with a few issues that weren’t dealt with in the mixing process. Pete’s guitars were severely distorted on (2) two of the tracks. Rather than “shape” the guitar via software, the distortion was left in the mix. Hence, the mastering engineer ended up dumping tons of bass and compression on each of the tracks to “mask” the problem. Between the mix and the mastering, the results sorta worked on computer speakers, earbuds, etc. but on a real or car stereo – forget it. The LP versions sounded just as horrid. Having the ability to break the out the instruments and create a new mix was great. It didn’t solve all the problems on its own, but it moved the environment up to a more acceptable level. I decided to buy mastering software. Rather than master the entire “new mix” I created, I focused on curing each song’s defects. For example, the drum sound seems to be inconsistent throughout. On the various tracks I added more compression *just to the drums* to get a more solid sound. Where the guitar distorted, I tried various tools to “reshape” the guitar and squeeze the distortion out. I found all of this fascinating. The one song I had the most trouble with was “Beads On One String”. I couldn’t cure the distortion without affecting the feel of the rest of the song. When Pete released the “Yaggerdang Remix” version in 2020, I was able to lift the undistorted guitar from that and use it in place of the distorted one. Fixed it! “Hero Ground Zero” was another pesky one. There was some clash going on between the bass and the guitar and depending on the level, there was a lot of distortion. I worked specifically on the guitar to smooth it out and carefully got the mix levels to where the instruments didn’t clash. Fixed it! Some of the other tracks had the cymbals too loud in the mix creating an annoying sound and clashing with the other instruments. The mastering software has a cymbal suppressor for just that reason. It works! Long story short, I was able to get a really good mix. What stopped me short and ending up shelfing the “project” last January, was mastering. I’ve always complained that too many mastering engineers can’t hear their own work and end up releasing bad masters. Welcome to the crowd. If you don’t have a proper playback working in real-time, your “master” is just a guess. I wasted a lot of time on a lot of bad guesses. I actually set up a room/equipment to mix and master, but never bought another computer to finalize. With the setup I created, I’d get real-time sound and be able to do this properly. So, to do this, I have to take my tracks and plug them in elsewhere for a proper listening feedback and make mental notes to “try again”. I would tell anyone else they were an idiot for doing it that way, but… So… I recently updated my mastering software, but the results still were unacceptable. A few weeks ago, I created a beautiful sound – almost mesmerizing – but the bass was buried! Rebalancing the master with added bass (the next logical thing to do), just helped to “unglue” the master and it was unacceptable. Being frustrated again (i.e. so close, but not perfect), I thought back to what I did in my first “unprofessional” attempt. Reverb and Ambiance. Since my mixes already had their components separately mastered – what I needed was the “glue” to make them sound that much smoother and I found it. Using the right settings on Neoverb, I got it. I’m pretty 98% happy with the way the album sounds now. I will probably continue to “tinker” with it over time to reach that 100%, but my ears may not last that long. Ear saturation is another problem when working on “stuff” like this on a computer. I have a bit of more work to do on it (balance sound levels for each track, etc.), but that’s easy and a weekend project… Here are some HD samples: Detour Hero Ground Zero Break The News She Rocked My World
November 10, 2022 The Who With Orchestra Live At Wembley - 2022 Germany / UK CD / Blu-Ray Set New Who album? Almost... I sent a picture of this CD to a good friend of mine last night and he replied, "I take it that it’s a boot?" Nope! This is a real CD set, which somehow got lost in cyberland. The artwork is by William "Billy" Schneider, the nice mix by Richard Whittaker, the mastering by the overworked Miles Showell (at Abbey Road) and on the Polydor / UMC label. So... why hasn't anyone else heard of it??? Apparently it was posted on Amazon (UK) and a few other websites for a release on November 4 (2022) with little or no info (i.e. promotion) elsewhere. Folks with pre-orders apparently got their CDs and then the link quietly disappeared (note the link at Target). With all the post-Covid / Ukraine war production problems, it's possible that it was intended to be released, but was put on hold until orders could actually be filled. It's anyone's guess (including mine) what the current status is. What is it? Yes, the real question. The (2) two CDs are comprised mostly of the July 6, 2019 concert at Wembley Stadium, London (UK). (2) two of the songs are from other shows on the tour. The accompanying blu-ray (Dolby Atmos) contains the same tracks as the CDs (see Wembley page for more details). I really enjoyed the mixes (lots of channel separation and various elements bouncing back and forth between the speakers), but I thought the mastering had a little excess compression (my taste, not necessarily yours). I have created (14) four-teen sound samples as well as given the CD/Blu-Ray a proper page of its own, so you can listen to the samples and read the track list, etc., here. Enjoy!
October 24, 2022 The Who - The Kids Are Alright / The Ox - 1966 Holland 45 Between 25-40 years ago, while rare, these early Holland (The Netherlands) singles seemed much easier to collect. While not plentiful or common, they were around and selling for about $25. Now? I feel sorry for the collector trying to find them. The more popular titles occasionally show up, but not usually in the best condition. This is one of the rarer ones...
October 23, 2022 The Who - Who Are You - 1978 Italy LP(s) A friend of mine from Italy recently posted the rare, Polydor version of Who Are You. For several years in the 1970's, The Who's label in Italy switched from Polydor to RCA. If I saw this one before, it probably went by completely unnoticed. However, seeing it in an internet post, immediately made me realize I was missing a copy. Thanks to the magic of the internet, I was able to find a copy and secure it.
October 21, 2022 John Entwistle - Rarities Oxhumed Volume 1 – 2022 CD/Download I ordered this (CD) yesterday as the release dates were conflicting (some sources had Oct 21, some had Nov 4). I was notified by Amazon that my album was ready for download. Wow! That was quick. The album is to be the first of two in a series, but when I saw the track listing, I was a bit disappointed as I thought the first of such releases should be much more diverse, vs. primarily remastered tracks from Van Pires and outtakes from the same. But, included within the track list were (2) two “John Entwistle” demos – and John’s demos are always a treat (except these really aren’t John’s demos – more below). As you know, I buy *every* Who “product” and I *try* to keep an open mind because I *hope* that there’s something good to be found in all of them (and usually there is). A few initial observations (and I will point out, I was listening to MP3s vs CD quality – which MAY affect my review contents in the future). Van Pires Tracks The “Van Pires” tracks weren’t necessary to be remastered. The sound quality is outstanding on the original album. While what I sampled, didn’t sound really any better or worse... except... I did encounter a bunch of distortion on “Back On The Road” (which wasn’t present on the original). Again, this could be the MP3 download (or not). I won’t get into the selection of tracks (from “Van Pires”) picked, because that’s more taste (i.e. I might say, “why did you pick the worst song from the album", someone else might say, “that’s the best song!”)
Rarities… (The Good!)
The Demos (Eh) The Live Tracks (OK) I know all the issues regarding the Left For Live recordings and recording sessions. These tracks appear to be significantly remastered and edited versions from "Left For Live" and sound much better than what I expected.
Track List:
October 18, 2022 The Who - Wholiday In The USA - 1976 USA LP I saw this LP in the "on-deck" pile yesterday and decided to give it a spin today. I haven't played this double LP set in probably 40 years. It's not perfect (i.e. tape wobbles here and there), but it's pretty good. The performances are outstanding and Keith joins the act introducing several songs. Just listening to Keith on "Magic Bus" demonstrates how unique, gifted and irreplaceable he was. I had fun recording samples for this, perhaps a little less fun, editing them. Since the song intros were so good, I created separate samples for them and you can find (29) twenty-nine sound samples... here. Enjoy!
October 17, 2022 The Who - Live! Collector's Item - 1972 USA LP I was trying to fix something with my stereo/recording equipment this AM and needed a "Test LP". I hadn't made any sound samples for this one <yet> and I had so much fun with it, I even rescanned the front and back cover. This concert (August 13, 1971 - Dayton, OH) was absolutely outstanding. I enjoyed it so much, I even created sound samples of some of the stage banter (Pete was really being Pete that day). So, if you want a real treat, there are (9) nine sound samples here. Enjoy!
October 9, 2022 The Who - Swansea - June 12, 1976 Roger Daltrey has gone on record stating that Swansea was his favorite all time Who concert. I can understand why. Yesterday, I pulled out the best of the CD versions and (2) two LP versions and recorded (46) forty-six sound samples. Included in the 46 are 11 from the original "Swansea, June 1976" LP (pictured left), which I applied compression to. Normally, I hate compression because I feel it's been overused and when too severe, kills dynamic range. However, for sample purposes, it helps boost quiet passages (or vocals that might be low in the mix) and gives everything a boost. Either way you prefer, you can listen to them both ways. I haven't written much in the blog lately, because the task of creating sound samples for the live bootleg section is time consuming. So many LPs and CDs to go through, but ultimately an important story to tell for the history of The Who. If you haven't stopped by the page with all the Swansea sound samples, take a
few minutes and check them out. The "Better Boot" CD (pictured right) has
samples for all of its tracks, which really are unbelievably good. Hopefully we
can one day look forward to an official release of this concert, but in the
meantime, check out the concert... here. October 2, 2022 The Who - Woodstock 1969 - Master Tape Reel-To-Reel (Copy) With all of the Woodstock samples I recently posted, I thought <perhaps> it was a good time to revisit the "Woodstock Story" from ~3 years ago (and more)... As far as I can remember, Who fans have always prized the band's Woodstock performance. As much as the band members said they "hated" Woodstock (for various good reasons), they were on absolute fire that day. Unfortunately, there were only a handful of songs officially released and quite a few fair sounding, mono bootlegs (which improved over the years). Who fans could only dream that "one day"... In 2013 with the construction of Tommy Super Deluxe Edition, there was discussion of remixing and remastering the original Woodstock tapes for release with the box set. Unfortunately, the band did not own the tapes and these things can (and do) get complicated. Fast forward to 2019, an ambitious project was underway to release the entire (all bands) performance at Woodstock - a big, limited edition, expensive box set. While this was an exciting project, I knew that if it wasn't done just right, The Who performance would come out poorly. As some of you folks know, I've worked with and have been friends with the band's producer's/engineers for many years. I've had conversations regarding the difficulties and limitations with some of these older recordings. For example, in 1996, I was asked specifically what I "thought" about the "Isle Of Wight 1970" release. Ironically, while I really love it today, at the time, all I could think about was that it "didn't sound like Live At Leeds". To me, "Leeds" set a new standard and this was... different. What I came to learn at the time, was that John Entwistle's bass bled into everything. If you think about a "normal" multi-track recording (with separate instruments on each track), you can mix these independent of one another. However, when you have bass bleeding into the other tracks, you are limited by how far you can mix, since the finished mix won't sound right (and this is only one factor)... I had a vision that something was not going to be right with the new (2019) release and rather than "wait to find out", I reached out to the producer to offer some help and advice. It wasn't well received. What followed became almost "silly" with the producer commiserating with a bunch of <Who fan> strangers in an online forum, complaining about me ...he hasn't even heard it and he's criticizing it! (paraphrasing). Sadly, while I hoped I was going to be wrong, I wasn't. The finished product was basically unlistenable. The best way to describe the distortion throughout, was that it sounds like John's bass strings became loose and were flapping against the wood of his bass guitar. In their defense, I'm sure they were working hard, tired and against a time frame and budget. However, you don't mess with The Who. At the time, a lot of Who fans took their hard earned money to buy the entire box, just for the Woodstock performance. They were extremely disappointed... Coincidentally, shortly after the release of the official version, I came into contact with someone that had the original board tapes. Long story short, I ended up with a copy of the same. It sounds wonderful! Below are some sound samples comparing the "official" with the original. This isn't a matter of "I told you so", but to demonstrate that there's still an opportunity to officially release a great Woodstock in the future. We can still hope...
I Can't Explain: Sparks: Woodstock Board Mix (1969) Woodstock 50 (2019) Eyesight To The Blind: Woodstock Board Mix (1969) Woodstock 50 (2019)
Acid Queen:
I'm Free:
See Me, Feel Me:
September 29, 2022 Pete Townshend - Rough Boy - 1980 USA LP In my quest to update my website, I became astutely aware that some of the vinyl bootlegs which I overlooked (or simply ignored) for 40+ years were lacking some depth. I originally had the black vinyl version of this LP, but traded (or sold) it because I had Pure n Easy (which is a similar LP, different artwork, etc.). So... I recently found this cool splash wax copy from some obscure website for about $50. Not a bad find. September 26, 2022 The Who - Call Me Lightning - 1968 South Africa 45 Pictured here is the incredibly rare "Call Me Lightning" b/w "Dr. Jekyll & Mr. Hyde" from South Africa, originally sold with a picture sleeve or stock copy. Besides the great cover art, what makes it even more unusual is its the only South Africa Who release on the Coral label. Everything else about it is similar to a standard Polydor release, except it says "Coral" instead. I picked this record today, as I've been <mostly> out of commission over the last several days due to a severe lightning strike. I was about to upload a new post and BOOM. Like a sonic boom, it was loud, the ground shook violently and the power went out (but for only seconds). When it came back up, the computer and several other odd things were "dead". While only taking a few days to recover (and when booting back up), my "whoge" scanner (12.2" x 17") wouldn't talk to the new computer. Even though it wasn't even on, apparently the surge zapped the USB circuits and poof. Finding/buying a tabloid size scanner "overnight" wasn't an easy task. There were a few listed online locally and I made a deal with someone who had one (~50 miles south of me) and was able to obtain it 7AM on Sunday. All the rare LPs I intended to scan earlier in the week - are now uploaded and online... It's not "fun" to lose your computer, data (even if temporary) and other equipment, but <Picard> happens. So there you have it (unless you don't).
September 20, 2022 The Who - Live At Leeds 2014 vs. Live At Leeds Complete In 2014, Live At Leeds, was remixed and remastered once again. Initially available only as a hi-definition download (see www.hdtracks.com) and then eventually making its way onto a triple LP (pictured) in 2016. This <version> is the finest "Live At Leeds" ever released. If you took a journey on Mr. Peabody's Wayback Machine, and stopped at 1996, you would be super excited by Live At Leeds Complete. This CD was a result of a created opportunity due to the (2) two record companies (MCA & Polydor) fighting over what the 1995 "Live At Leeds" CD should be. MCA wanted the complete concert on (2) two CDs, Polydor wanted a single CD release (the companies eventually merged). So, the bootleggers in Japan sent this (an unedited version of the concert) to market. I recall the excitement of the time as Who fans were thrilled they now had the full concert and the live "Tommy" that eluded them. "Complete" was far from perfect. Crackling noises, "whoooge" dropout on "I Can't Explain and sound wise (while very good), not up to the standard set by the 1995 "Leeds". The band made an attempt to remedy this in 2001, with the release of "Live At Leeds" (Deluxe Edition). However, that version was a disappointment as the newly remixed/remastered CD, didn't hold up to the 1995 version (and included a modern day overdub vocal, which, quite frankly was out of place and didn't fit). So... in 2014, Live At Leeds was given a fresh life for the HD format and went beyond the 1995 version. Other than the inclusion of Spoonful (which for whatever reason has been edited out of "Leeds"),"Complete" is pretty much obsolete, but certainly worthy due to its history and nostalgia Oddly, there are some people living in a time bubble of sorts, thinking this is still the release. It's not. "Each to their own sewage" I suppose. Sound Samples: Heaven And Hell I Can't Explain Young Man Blues Happy Jack A Quick One While He's Away Amazing Journey Eyesight To The Blind See Me, Feel Me Magic Bus
September 19, 2022 The Who - I Can't Explain - 1965 Germany 45 The Who have always been very popular in Germany. As a result, the band's records and CDs were produced in great numbers there, making most Germany Who releases (with some notable exceptions) fairly common. One of those exceptions, is The Who's first release in Germany, the I Can't Explain single. Much tougher to find than many of their other singles and even harder to find in good condition. The paper used to print the picture sleeve is somewhat thin and had a tendency to wrinkle and deteriorate if not kept properly. It's a great photo of the band, and also used on the Australia Dance Session EP and several USA 60's ads.
September 18, 2022 The High Numbers - Dance To Keep From Crying - LP I spent <almost> the entire last day creating sound samples for the 1st page of my live bootlegs collection. It's a time consuming process, but ultimately, it helps to expand the history of The Who. At the very top of this page sits the "Dance To Keep From Crying" LP (pictured), which I believe was the very first of the various releases (LP & CD) of The 1964 High Numbers Railway Hotel concert (mistaken for The Marquee). I probably haven't played this album since the 1980's (I purchased it when it came out in 1983), but remembered that it sounded really good. So... I recorded the album to HD and then proceeded to create sound samples. The sound quality on this varies a little and that might be due to the age of the tapes or the playback equipment - but overall, it's an outstanding recording. The crack of Keith Moon's drums was never quite captured like this. I can't tell you how it was recorded (i.e. mics on the stage or connected directly to the mixing board), but it's very captivating as well as historic. Rather than post sound samples here, I will direct you to the top of the page where this resides, here. Enjoy!
September 15, 2022 The Who - The Kids Are Alright - 1966 Belgium 45 I've always admired this record - The
Kids Are Alright, released in Belgium in
1966. The picture of the band almost appears three dimensional against its
purple background. Four of the early Belgium Who singles (Anyway, Anyhow,
Anywhere, My Generation, A Legal Matter and The Kids Are Alright) used the same
band photo, but with different surrounding artwork. All of the
Brunswick (or Decca) pressings were made outside of Belgium, but exported for
sale there. September 13, 2022 The Who - Who's Next - 1971 Venezuela LP While there are many Who records which feature Spanish titles on the labels or even on the back covers, there are only a few which feature the front cover title in Spanish. This one is Who's Next from Venezuela. The Spanish title, "Nuevamente los Who" translated to English, is "Again The Who". It doesn't sound very close, does it? For a while these seemed to obtainable, but now they are very scarce...
September 12, 2022 The Who - Live At Leeds - 1971 / 1980 Brazil LP(s) After a friend's recent post, I quickly realized I never had (or was even aware of) the original Brazil pressing of Live At Leeds (as you can see, I quickly remedied that mistake). I recall the day in 1983, when my friend Bryan and I went to Farfels Records in NY and were shown copies of the Brazil "Leeds" (which we both immediately purchased). Jack (who worked there), sold us many Who records, but this was quite special as the first version of the album we bought with different artwork... After seeing my <other> friend's post, I scratched my head and then worked to find a great original pressing, so... here it is. As much as I seem to have, there's always more. I'm sure the original popped up on my eBay feed many times but was dismissed quickly. The other difference is that the reissue is slightly lighter/brighter - something you wouldn't notice until you see them both side-by-side.
September 11, 2022 Pete Townshend - Live In California - 1993 I recently obtained (2) two new CDs that are absolutely fantastic. While I would place the sound quality only in the "C" range (which is above average for most boots), the performances and setlists are just outstanding. Pete performed about 15 shows in support of his Psychoderelict album. Unfortunately, the one he chose to video and distribute (The August 7, Brooklyn Academy Of Music show), was the weakest from the tour (as a result of Pete having a cold, staying up all night, doing a full dress rehearsal and ending up much stiffer and with a scratchy voice). In comparison, these shows were loose, fun and wildly "over the top" - truly representing Pete at his best. I recall seeing Pete at the Beacon Theater (New York City) and the show being one of the very best concerts I had every seen. The setlists are packed with great songs: Wiltern Theater (July 29, 1993):
Cobwebs And Strange, Save It For Later, Eyesight To The Blind, Face The Face,
Heart To Hang Onto, I'm A Boy, Eminence Front, English Boy, Meher Baba M3, Let's
Get Pretentious, Meher Baba M4, Early Morning Dreams, I Want That Thing, Outlive
The Dinosaur, Meher Baba M4, Flame, Now And Then, I Am Afraid, Electronic
Wizardry, Don't Try To Make Me Real, Predictable, Flame, Meher Baba M5
(Vivaldi), Fake It, Now And Then (Reprise), Baba O'Riley, English Boy (Reprise),
Let My Love Open The Door, Corrina Corrina, A Little Is Enough, You Better You
Bet, Rough Boys, Girl From North Country, Naked Eye, Magic Bus*, Let's See
Action*, Won't Get Fooled Again* Berkeley Community Theater (August 3, 1993): Let My Love Open The Door, Rough Boys, Keep Me Turning, Pinball Wizard, Who Are You, Till The Rivers All Run Dry, Sheraton Gibson, Sleeping Dog, English Boy, Meher Baba M3, Let's Get Pretentious, Meher Baba M4, Early Morning Dreams, I Want That Thing, Outlive The Dinosaur, Meher Baba M4, Flame, Now And Then, I Am Afraid, Electronic Wizardry, Don't Try To Make Me Real, Predictable, Flame, Meher Baba M5 (Vivaldi), Fake It, Now And Then (Reprise), Baba O'Riley, English Boy (Reprise), Girl From North Country, Behind Blue Eyes, Face The Face, Won't Get Fooled Again / Let's See Action / Won't Get Fooled Again, Got Love If You Want It, Save It For Later Some of you might be aware that "Got Love If You Want It" (above) is the song Pete Meaden rewrote the lyrics for, which became "I'm The Face". Here are 23 sound samples from both shows: Wiltern Theater: Cobwebs & Strange I'm A Boy English Boy Let's Get Pretentious I Want That Thing Outlive The Dinosaur Don't Try To Make Me Real Let My Love Open The Door Naked Eye Magic Bus Let's See Action Won't Get Fooled Again Berkeley Community Theater: Keep Me Turning Till The Rivers All Run Dry Sheraton Gibson Sleeping Dog Now And Then Don't Try To Make Me Real Predictable English Boy (Reprise) A Little Is Enough Face The Face Got Love If You Want It Enjoy! September 9, 2022 The Who - Can't Explain - 1964/65 USA 45 (Withdrawn) This single was the very first <official> release by The Who (actual release dates have been published of either December, 1964 and January, 1965 - both pre-dating the UK release date of January 15, 1965). The single, with the "missing I" was released in error, quickly withdrawn and replaced with the corrected title. I bought this particular copy, from a gentleman named Bob in Miami, Florida, circa late 1982. Bob was a huge music fan and collector and he worked in one of my favorite all-time records stores, Yesterday & Today (as well as some of the other great Miami stores of that era). Bob sold me quite a few early USA Who singles, which were in brand new condition, mostly sold at $10 each. When he asked me if I was interested in this single, I immediately said "yes" (but this one was slightly more expensive). I recall picking it up at his apartment, which had many old-style filing cabinets and as he opened the drawers - they were full of singles (immaculate and organized to perfection). Bob explained to me that he bought this on the very day it was released - his first ever Who single. This single has become super scarce over the years. I was recently reminded that I have a 2nd copy and might consider parting with it for the right offer...
September 8, 2022 The Who - 1966 Holland "Balloon" Pinup / Poster The look on John Entwistle's face says it all. "What kind of rock star poses like this?" Roger seems to be biting his tongue, while Keith and Pete look like they are "OK" with it. It's different. Some of these old, European magazines have the coolest photos (and centerfold pinups) of the band (if you like this sort of thing).
September 7, 2022 The Who - Slip Kid - 1975 (1976) Spain 45 "B" Side After posting yesterday, a few people asked where they could find this single. As I looked around, I was reminded of what the "b" side looked like. Typically, I post <mostly> front covers Unless I believe there's something there's something truly unique and interesting about the back cover, I feel that there needs to be something another collector gets excited about discovering on their own (vs. just the record itself). It goes back to the record bin days, when you saw something for the first time and said "wow!" to yourself. On one hand, there's a "story to tell" (which has an element of completeness), on the other, leaving room for the excitement of discovery. Perhaps with the introduction of Discogs and their ton of crappy photos, the point is moot and we are now living in a different age... So... as I found some singles for sale, I saw this picture which has been buried in my collection for ~40 years and I said, "wow... why didn't I scan this?" A lot of picture sleeve singles have the same image front and back, some have an "advertisement" for related albums/singles, etc (but graphically boring), some have different titles (i.e. same picture front and back, but each side has the title of the "a" and "b" sides). What I like about this (besides the Spanish), is the reverse picture of "The Who By Numbers". We've seen black covers, filled in line covers and now a reverse cover. I think that's worthy of a scan. So, I grabbed the sleeve, scanned it and here it is...
Also please note that the single (in the very small print bottom left) is dated
March, 1976. So, as much as I want it to be a 1975 single, it's
actually from 1976. September 6, 2022 The Who - Slip Kid - 1975 Spain 45 While very popular amongst Who fans, The Who only played "Slip Kid" live about a half a dozen times in 1976. The common single released from The Who By Numbers was Squeeze Box. However, in Spain, "Slip Kid" was released as the single (with Squeeze Box as its b side). In the USA and Canada, Slip Kid was released as the 2nd single from The Who By Numbers, but unfortunately, it didn't chart very well. Over the years, many fans were hoping the band would include the song in their set list. In 2008, the band teased us with a one-off performance (which was actually pretty damn good!) and then brought it back again between 2014 - 2016. I recall being excited to hear it live, but I thought these later versions didn't work out as well as I hoped. Not sure why... Sound Samples:
September 5, 2022 The Who - 1967 France (EP) - Cassette This is what is known as a "lucky find". Without paying too much attention, I thought I was buying another "best of" cassette with an unusual cover. As it turns out, it's an obscure EP from France (circa 1967) featuring Happy Jack, I Can See For Miles, Pictures of Lily and I'm A Boy. The cover is made from the same laminated material as the one's used for the <vinyl> EPs of the period.
September 4, 2022 The Who - Bootlegs (Live and Studio) I just finished updating the <above> sections for the website. What began 20+ years ago as a good idea (picture gallery on the top of the page, detailed descriptions below) started out OK, but... with the expansion of so many LPs, CDs, etc., the pictures became too far away from their descriptions and didn't really work anymore. The live section has expanded from 16 pages to 25 (to better separate
different tours - i.e. the 1981 Face
Dances tour was very different than the 1982
It's Hard tour) and the pictures have
been relocated from the picture gallery to their respective descriptions (for
both live and studio bootlegs). A lot of work, but hopefully a better experience
for you, the visitor. The Who - Bootlegs - Studio - Page 1 (A to E) (Studio) Enjoy! September 2, 2022
John Entwistle - Too Late The Hero - 1981 UK 45 Picture Disc
August 31, 2022
The Who Sell Out - 1974 Saudi Arabia Cassette - Vol. 1
August 30, 2022 The Who - My Generation - 1965 Switzerland 45 (Club Edition) Pictured is a very obscure version of the 1965 My Generation single (45 RPM), released only in Switzerland. To my knowledge, there were only two Who records released in Switzerland (this one and "Happy Jack"). Both are "Club Edition" releases, made in Germany for export and relatively difficult to find. My first copy was pretty worn, but I was fortunate to find a 2nd copy...
August 29, 2022 The Who - Tommy - 1970 South Africa LP Another mystery album... This is a very rare pressing of Tommy from South Africa. I believe that with the world-wide popularity of The Who's Live At Leeds, Polydor South Africa re-released Tommy there, with this "Leeds" style cover in 1970. Someone I met theorized that this was actually the first pressing, and released prior to the record company having the proper artwork. However, if this were true, how coincidental to predate "Live At Leeds" by a year? Either way, a very nice collectable... (Please also note that "Tommy" was also pressed in South Africa with the common cover.)
August 25, 2022 Pete Townshend - Hall For Cornwall Truro - November, 1998 Included in my recent CDs was this interesting piece. As some folks might recall, I was not originally enamored with the mini-tour of 1998. I absolutely loved all of Pete's performances in 1996 and had a great time and experience at the NY Supper Club (sans some idiots trying to steal my backstage pass). When my friend got me tickets for the 1998 Boston show, I was equally thrilled. However, (6) six songs in with the <then> dreaded arraignment of "Anyway, Anyhow, Anywhere", I had completely lost my mind and as Popeye (the Sailorman) would say, "Can't stands no more!" as in... how did that happen? A few years later, some kind fan of my website offered to send me a complete 1998 Woodstock soundboard, which he downloaded off of a satellite feed. At first I didn't want it (even for free), but even under my standards, I was being completely stupid and why insult someone being kind and generous? After listening to it, I came to enjoy it (but always skipped over "Anyway, Anyhow, Anywhere" - which happens to be one of my very favorite Who songs). Long story short, perhaps I was also being stupid in Boston and developed a delayed appreciation for the 1998 performances...
Other than the artwork for this CD, I was intrigued by the setlist inclusion of
"Cobwebs And Strange" (which Pete opened with for his 1993 "Psychoderelict"
shows). So, what's another CD?
Track Listing:
Cobwebs And Strange, On The Road Again, A Little Is Enough,
Pinball Wizard, Drowned, Anyway, Anyhow, Anywhere, Behind Blue Eyes, You Better
You Bet, Baby Don't You Do It, I'm A Boy, Sheraton Gibson (Tease), Mary Anne
With The Shaky Hand, Three Steps To Heaven, Substitute, North Country Girl, Band
Introductions, She's A Sensation (listed as "Sensation"), Now And Then, Let My
Love Open The Door, Who Are You, The Kids Are Alright, The Acid Queen, Won't Get
Fooled Again, Magic Bus, The Lobster Song Cobwebs And Strange On The Road Again Baby Don't You Do It Mary Anne With The Shaky Hand Three Steps To Heaven She's A Sensation
August 25, 2022 Pete Townshend - Brockwell Park London - May 30, 1981 - 2022 UK CD I received another small batch of boot CDs from the UK over the weekend. I thought this particular one stood out because of the diverse setlist and performances. I've had most of these tracks before, but pretty much ignored them because of the poor sound quality. While this CD is no better (and perhaps worse), it was the entire show (including (2) two performances of "A Little Is Enough"). I don't know if Pete professionally recorded all of his post-Roundhouse (1974) shows, but this CD gives you a hint at how good such a compilation might be.
Here's the sound samples for the
entire show (sorry, only the 2nd version of "A Little Is Enough"): On another note, I'm almost finished with round one of my website refresh. Round 2, will consist of reorganizing all of the boot pages (to place the artwork with the descriptions) and perhaps another rework of the Discography page (which works fine for a computer browser, but just fair for a mobile one...) Stay tuned and enjoy!
August 23, 2022 Keith Moon / Various Artists - All This And World War II - 1976 Japan LP (Promo) In the various attempts to expand (and complete) Keith Moon's only solo album, Two Sides Of The Moon. there has been a missed an opportunity to add Keith's only other solo vocal performance, "When I'm Sixty-Four" (a cover of the Beatles song) which was only released on the All This And World War II album, worldwide.
The album was also reissued on CD as a limited box set in 2006 (on the
Hip-O label) and then again in 2015 (on the Island records label). LP copies are fairly abundant, but the CDs... pretty rare (and expensive). Happy Birthday Keith! August 22, 2022 The Who - Live At Leeds - 1970 Korea LP This is one of several different pressings of Live
At Leeds from Korea.
Most of the Korea Who LPs appear to be pirate pressings that seem to be
photocopied from USA pressings
on various colored paper (there are at least (5) five different versions of Who
Are You). Most likely these records were pressed and sold for the large
population of USA Servicemen stationed in Korea. The earliest evidence of
"official" August 21, 2022 The Who - 1979 UK Quadrophenia Soundtrack LP (Alternate Artwork)
Every so often you come across a truly rare find - something that's a
one-of-a-kind or just a handful scattered around the world.. Pictured is a
This copy was Inside the cover, are "program style" glossy pictures and text regarding the movie. It makes you wonder what all of the other rejected album covers looked like! Since I bought and published the LP picture many years ago, I've come a cross about 2-3 other folks who also have a copy, including a 2nd copy I purchased from a collector in Germany. Before he died, Cy Langston and I chatted extensively about his and John's work on the Soundtrack. Cy claims the the entire Quadrophenia album was reworked (i.e. remixed with overdubs, etc.), but since the album was being released world-wide on Polydor, MCA (USA/Canada) saw this as a "competitor" to their own 1973 LP. As a result, the Soundtrack was chopped up and other, non-Who music added to it. One day, I'd love to see a restored, "Director's Cut" of the Soundtrack released, as John and Cy intended...(and with this artwork)
August 20, 2022 The Who - Happy Jack - 1966 Israel 45 (EP)
Pictured is the 1966 Happy
Jack EP
from Israel - which I believe uses the earliest photo
of The Who from its entire international catalogue of singles and albums.
August 19, 2022 The Who - Join Together Rarities - 1982 Australia LP Sometime in 1982, I was shopping for records in the infamous electronics (and music) store, Crazy Eddies. Low and behold in The Who section, I pull out the LP (pictured), The Who: Join Together Rarities. At first it appeared as it might be a bootleg, but I quickly found the Polydor logo and sure enough it was a legitimate release. What made this record so special at the time, was that prior to its release, the only way you could buy any of the music contained on it, was via rare singles or bootleg LPs like Who's Zoo. Apparently, the LP was released by Polydor Australia (without permission). However, it did get Polydor (UK) to think a little harder, resulting in the following year's new series of Who Rarity LPs. Track list: Join Together. I Don't Even Know Myself, Heaven & Hell, When I Was A Boy, Let's See Action, Relay, Wasp Man, Here For More, Water, Baby Don't Do It
August 18, 2022 The Who - The Ox - 1970 Holland LP In 1970, someone at Track Records, UK came up with a great idea - A Who album comprised of all John Entwistle songs! It was called, Backtrack 14: The Ox. In the same year, The Ox (pictured) was released in Holland. Essentially the same album (as its UK counterpart), but with a much nicer cover. Unfortunately, no other country released it. The track listing is: Heinz Baked Beans, Heaven And Hell, Dr. Jekyll & Mr. Hyde, Fiddle About, Cousin Kevin, Doctor, Doctor, Medac, I've Been Away, Whiskey Man, In The City, Someone's Coming, Silas Stingy
August 17, 2022 Pete Townshend - All The Best Cowboys Have Chinese Eyes - 1982 USA Promo Playing Cards
In 1983 (shortly after I first started collecting), I used to make frequent
visits to buy records in New York City. The small shops there would always have
new collectables and every weekend I would come home with "new stuff". One of
those shops (It's
Only Rock n Roll) had a
memorabilia case. At the time I was only interested in
records and
August 15, 2022 The Who - Instant Party / A Legal Matter - 1966 Sweden 45 One of the more elusive records I have ever come across is the 1966 45, Instant Party / A Legal Matter from Sweden. I originally saw it at the Utrecht Record Fair in 2004. I was told it was the rarest Who record from Sweden and the asking price was very steep. By the time I thought it over and decided to buy it, the record was already gone. Occasionally, a copy would show up again at a subsequent show (in Utrecht) and typically sell out very quickly before I had even a chance to see it. In 2008, I had the opportunity to bid on a copy via <non eBay> auction and while I thought my bid was very generous and I got seriously outbid. Then, out of nowhere, the nice person who ran the previous auction contacted me and offered me another copy he found... ...and then my want list had one less entry...
August 14, 2022 The Who - Rough Boys - 1984 Brazil LP (Promo) This is a cool, one-of-a-kind LP promo, which uses a Pete Townshend solo song for its title. The track listing is: Overture, My Wife (live), Sister Disco, Eminence Front, Drowned, The Seeker, Magic Bus, Baba O'Riley, Substitute, Another Tricky Day, It's A Boy, Run, Run, Run I think the nice folks in Brazil got this one right... I believe I bought
this at the Utrecht Record Fair in 2001. Copies are still around online fairly
cheap. Best to "scoop" them up before they are all gone... August 13, 2022 Various Artists - Jem Records Celebrates Pete Townshend - 2022 USA CD This CD/LP/Download just came out about a week ago and I just had the opportunity to preview it. It's a pretty good album of covers, but given the title, a little disappointing that the only Pete Townshend solo song included is, "Let My Love Open The Door" leaving the other (13) thirteen song as Who covers. Solo vs. The Who aside, the track listing is still very good, drawing from Who songs written between 1964 and 1971 (but with a Tommy Soundtrack version of "I'm Free") and the single solo track from 1980. Track listing: Baba O'Riley, I'm Free, Let My Love Open The Door, The Seeker, Glow Girl, I Can't Explain, The Kids Are Alright, So Sad About Us, A Quick One, I Can See For Miles, Mary Ann With The Shaky Hand, Let's See Action, The Good's Gone, Substitute Sound Samples: Baba O'Riley Let My Love Open The Door I Can't Explain The Kids Are Alright So Sad About Us A Quick One While He's Away Mary Ann With The Shaky Hand Let's See Action The Good's Gone Substitute Overall, this is a well-produced and balanced album of cover songs. I really
liked the female lead on "Baba O'Riley" and the jazzy "I Can't Explain". If you
like Who cover versions - this is a good album. Enjoy!
August 12, 2022 The Who - Who's Next - 1971 Spain LP (x2)
Can you see the real me? (Sorry, wrong album...) Just a small cover
reversal here.. On the left is the original Spain
Who's Next, which was released (and
censored) during the Franco administration. Not only is
Won't Get Fooled Again and "Love
Ain't For Keeping" deleted from the album, but the track order (as printed on
the back cover) has been changed to: Side 2: Getting In Tune, Going Mobile, My Wife, Behind Blue Eyes (No small change!) As to the nice cover art... They reversed the picture! (Note John Entwistle left and Pete Townshend right). The picture on the right has been photoshopped to demonstrate what the cover would have looked like had the photo not been reversed. Believe it or not, there's a tiny faction of Who fans who reject this particular album because they feel that this mistake is too large for them. For me? Another collectable story... PS: Spain later reissued the LP with it's common artwork and full track listing...
August 11, 2022 The Who En Numerous - 1975 Argentina LP Translated from Spanish: "Escapate Muchacho!" ("Escape Boy"), "No Importa Cuanto Tome" ("It Doesn't Matter Much It Takes"), "Caja De Sorpresas" ("Surprises Box"), "Sonando Sesde La Cintura" ("Ringing From The Waist"), "Imaginate Un Hombre" ("Imagine A Man"), "Historia De Exitos" ("Success Story"), "Todos Ellos Estan Enamorados" ("They Are All In Love"), "Azul Rojo Y Gris" ("Blue Red And Grey"), "Cuantos Amigos" ("How Many Friends"), "En Una Mano O Cara" ("On A Hand Or Face")
Interesting translations (and only 50% correct)... Gotta love it...
August 10, 2022 Roger Daltrey - Walking In My Sleep & Parting Would Be Painless - 1984 UK 12" (EPs) While I always loved non-album tracks on singles, I never understood the concept of not reissuing them as bonus tracks in whatever the current media of the day is. Below are (2) two great examples. These are 1984 UK 12" EPs (or "maxi singles") from Roger's 1984 album, Parting Should Be Painless. These EPs each contain a unique track - both of which are fantastic. Walking In My Sleep features Roger's rendition of the Spencer Davis Group classic, Gimme Some Lovin'. Parting Would Be Painless * features a great Billy Nicholls written song about the breakup of The Who, I Won't Be The One To Say Goodbye. Both of these songs may have been part of Roger's scrapped album, "Pop Songs" (an unreleased album primarily of hit covers). If you don't have these <now 38 year old> songs in your collection, you should - they are great. * For whatever reason, Roger named his album, "Parting Should Be Painless", but the single's name is "Parting Would Be Painless" (which has always caused confusion among fans). Please also note, that there are also 7" versions of these singles, which do not feature the bonus tracks above...
August 9, 2022 Pete Townshend - Hiding Out - 1986 Germany 12" (EP) One of my favorite Pete Townshend singles/EPs... This special 12" contains (2) two rare tracks: Hiding Out (Extended Version) and Hiding Out (Instrumental Version). Both of these tracks are variations of each other, but a completely different performance than the album version. Not only that, but for whatever reason, these (2) two tracks appear to be recorded better (i.e. wider mix, much more open sound). (20) twenty years later, the "extended version" made its way onto the 2006 White City Reissue - but the instrumental version was <unfortunately> left off. If you want a really great EP, seek this out. Copies appear to be available online, but don't confuse this with the 7" 45 version (which does not have the "Instrumental Version").
August 8, 2022 A Bunch Of New Boots (1970 - 2022) I spent the last <almost> 3 days updating my website with a lot of "new
stuff". Some of those items included the boots you see pictured. I had been
recently contemplating creating a whole new website in order to make something
that's more functional for mobile users. In the process, I got hooked on making
some <hopefully> cool changes to this one. So... what is there to say about this weekend's batch? Mixed results.
Cleveland 1970 was pretty bad, The Forum '73 OK, (2) two of the (3) 1975/76
pretty decent and lastly - Roger's 2022 decent and great performances (God bless
Roger Daltrey!). If you go to the New Stuff link, you can find the specific pages where the track listings and sound samples are hiding in plain site... Enjoy!
August 4, 2022 The Who - Who Are You - 1978 UK LP Proof Copy This unique item is a <rejected> proof art cover for the Who Are You album. They had their band photo finalized, but couldn't decide on the lettering apparently. What's interesting here, is that "The Who" was used for their Japan pressing (but with the same yellow print color as the final UK copy) and they retained the <orange> color of the print for the USA and Canada markets (in a no good idea shall go unused scenario). I bought this on eBay after much ado (that lasted a long time). The seller initially had this listed for ~$1,500. I contacted him, told him I was interested but that collectors are generally nervous over such items and don't pay a lot *. He asked me what I thought it was worth (I told him I thought it was worth his price, but in the marketplace - nobody is going to pay that much, so I would give him $100). That didn't go very far... So, he kept listing and re-listing the sleeve and over time, gradually reducing the price. About a year (or two) later, the price was a lot closer to what I wanted to pay. I contacted him again and expressed my continued interest. By this time, he saw that I was right, but he had paid more than what I initially offered. So we worked out a price and that was that. Just like Archie Bunker used to say, "Patience is a virgin." * I've noticed over the years, that many collectors are "risk adverse" as in... ...they don't want to be the first to make a mistake and overpay for something that may turn out to be a fake. Sometimes I will get the "what do you think?" email or, "well if it's on Fang's site, then..." (Of course this seems to be completely out the window lately as a few misguided numbskulls are paying ridiculous prices for fake Mexico sleeves, but that's a different story...)
August 3, 2022 Electric Tommy - 1971/1975 USA LP(s) I used to see these LPs in the Who record bins in the late 1970's. I had no idea what they were, but saw them everywhere. Then (naturally), the day I decided to buy a copy... all gone! This morning I was reminded of this album when scrolling on Facebook. My friend, Isao is doing a Tommy special and had a copy displayed. So... why not do a post on this album? There are (2) two different versions of the LP - Viva label (left) and Chelsea label (right). Same track list and contents, different cover art and label... There's also some confusion regarding the release date(s). Some sources list 1971 and others, 1975. Apparently the Viva pressing was released in 1971 and the Chelsea pressing is the1975 reissue. What's interesting is... the music arraignments sound more like Tommy Soundtrack versions (1975) than the original "Tommy" (1969)... go figure... The album itself is actually pretty cool. Synthesizer, drums, guitar and keyboards. Never available on CD, but apparently you can buy this as a digital download... Track listing: Tune Up / Overture, Pin Ball Wizard, Amazing Journey, Christmas Tommy, Tommy Can You Hear Me?, Fiddle Around, Sally Simpson, Sparks, Welcome, Go To The Mirror Boy Sound Samples: Amazing Journey Christmas Go To The Mirror Boy
August 2, 2022 John Entwistle - Reboots Solo Career - Part 2B The fax... In late 1995, Mrs. Fang was working with John designing his Left For Dead Tourbook. Occasionally, there was the late night call. On this particular night, I was fast asleep at 2AM, only to be woken up with, "Where can I find the sheet music for '905'?" Whaaaaaaat? Apparently John had looked all over Quarwood looking for an LP of Who Are You to rehearse "905" for the upcoming tour. Since he couldn't find it (extremely large mansion with a lot of "stuff"), he knew I would have a copy of the sheet music. I did (it was included within the Who Are You song book). What John wants, John gets. I scanned in the (7) seven pages, added the text and page numbers and faxed him the sheet music... I somehow thought at the time (even while mostly asleep), that this would make a good story one day...
August 2, 2022 John Entwistle - Reboots Solo Career - Part 2A Well lookee lookee here! While searching for something else, I accidentally found this! This is the track list of the tape I sent John (& Co) in December, 1995. Several songs were never played (i.e. "Dr. Jekyll" and "I Can See For Miles"). Some of these songs, John said, "...impossible to play live." (i.e. "When I Was A Boy", "One At A Time" & "Dancing Master"). For some reason, I thought I had hand written this with the tape, but... (obviously not!) I also recall (and perhaps will find), a "part 2" to this. "905" is not included here, but John needed me to fax the sheet music to him at 2AM!
August 2, 2022 John Entwistle - Reboots Solo Career - Part 2 Just prior to joining Rat Race Choir on the road in 1987, John had finished recording another solo/solo band album in 1986... The Rock. This album was a departure from John's previous solo albums as he wanted it to be a "band album" (of which he was a member), vs. a solo album (which was all about him). The album was set to be released in 1988. I recall being out to lunch one day and hearing John on the Scott Muni Show playing tracks from and promoting the "soon to be released album". Unfortunately, just prior to the release, the record co was "busted by the FBI". John had already assembled a new band, comprised mostly of band members that played on the album (but substituting Zak Starkey for the drummer from Rat Race Choir). I was fortunate enough to see this band on July 2, 1988 at the Stone Pony in Abury Park, NJ. One of the first in the door, I planted myself right in front of John. It was a tight, powerful show, with a set list mostly comprised of songs from "The Rock", as well as some of John's Who and solo songs. I will never forget the bass lines belted out from "Love Is A Heart Attack" - a fantastic rendition. Lead singer, Henry Small sang most of songs. The 1988 band didn't hold together. The Who reunion of 1989 and stories of band member "infighting", left many bad feelings. John's next attempt at a band, was a very short lived "superstar" band called The Best (band members included, Jeff "Skunk" Baxter, Simon Philips, Joe Walsh and Keith Emerson). Not exactly sure what happened here, but they really sounded good. In 1995, a new John Entwistle Band was being formed. A member of that band popped into my Who forum and announced himself. Nobody responded, but I immediately sent him a private message asking him what the plans were. Basically, they was looking to recreate the 1987 set list of Who covers. I explained to him that John's fans didn't want a "Who Cover Band" and were greatly disappointed with that concept in 1987. We discussed set lists at length and I created a "set list tape" of what I thought would be a great fit for the band - most of the songs were adopted (with a few exceptions that John later told me, "...were impossible to play live."). The newly formed band got off to a great start, initially supporting "The
Rock" (again), but this time, copies of the newly released CD were for sold at
the shows. Fans were thrilled over this version of the band, but the band was
not without its share of problems... (Stay Tuned For Part 3)
Love Is A Heart Attack 1988
You 1988
Bridges Under The Water 1988
Bridges Under The Water 1996
Life After Love 1988
Life After Love 1996
August 1, 2022 The Who - The Beat - 1967 Germany LP Before the days of eBay and easy Internet shopping, "The Who - The Beat" was considered a rare and expensive item. In the late 1980's through the 1990's, prices were typically between $100 and $250 (if you could find one). I found this copy in 1995 at a small record show for only $80. I couldn't have been happier. One of the best Who LP covers (and check out Pete's tie). Essentially, this is a colorful Germany reissue of My Generation. Note the big "stereo" print on the label. Back in the 1960's, there were several methods to simulate stereo, but none of them any good. For this album, they drowned it in reverb. Here's a sound sample of My Generation Thanks to eBay (and similar), copies of this album can be obtained for even a fraction of what I paid. It may not sound great, but you can't beat the cover...
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